The Starry Night by Vincent van Gogh: An Analysis of Style and Technique, Slides of Painting

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a Closer Look at

THE STARRY NIGHT

by Vincent van Gogh

DAN SCOTT

In this ebook, I will be taking a closer look at The Starry Night by Vincent van Gogh, which he painted in 1889. With swirling lines and dramatic colors, this dreamy depic- tion is one of van Gogh’s most iconic works.

The Starry Night

“I don’t know anything with certainty, but seeing the stars makes me dream.” Vincent van Gogh

Vincent van Gogh, The Starry Night, 1889

• Letters from van Gogh to his brother Theo provide insights into van Gogh’s inspi- ration and fascination with the night. In 1889 he wrote, “Through the iron-barred window I can make out a square of wheat in an enclosure, above which in the morning I see the sun rise in its glory.”
• Although it is one of his most famous works, he initially considered the painting to be a failure based on his letters to Theo.
• Research suggests the moon was not actually in the crescent phase, as depicted in the painting. Rather, it would have been about three-quarters full, but van Gogh probably painted it this way for stylistic reasons.
• Research also suggests that the brightest “star” in the painting, just to the right of the large cypress tree (pictured below), may actually be Venus which would have been visible at the time van Gogh was painting in the asylum.

Swirling Brushwork

Used to Create a Sense of Movement and Turbulence

When I think of The Starry Night , the first thing which comes to mind is the swirling brushwork which creates a sense of movement and turbulence, especially in the sky. In fact, a physicist by the name of Jose Luis Aragon suggested that the swirling brush- work in paintings like The Starry Night have an uncanny resemblance to the math- ematical expression of real turbulence shown in natural occurrences like whirlpools and air streams. You can read more on this here.

Van Gogh used a loaded brush to build up a thick, impasto texture which you can see in the close-ups below. This impasto texture is a key feature in many of van Gogh’s works.

Where

Realism Meets Abstraction

To me, this painting marks an interesting area somewhere between realism and complete abstraction. Van Gogh pushed the colors and style in order to depict his unique interpretation of the world, but not so much as to lose all qualities of realism and representation. You know exactly what the subject is, but it is far from what you would see in life.

I enjoy this area in painting as I think it allows for some personal expression, with- out departing too far from representational art standards.

But of course, this is all just personal commentary which does not really matter. There is no right answer with this kind of stuff. Some admire van Gogh for his unique interpretations, whilst others criticise him for stepping too far away from the boundaries of reality. It is just interesting to ponder over.

Key Takeaways

Here are some of the key takeaways from The Starry Night which you could incorporate into your own paintings:

• Exaggerating certain elements like color and perspective can really help you depict the emotions and feelings you have about a subject. In this case, van Gogh exaggerated the colors, form and perspective to create a very dreamy depiction.
• To paint light, you could use a strong color contrast, like yellow and orange against blue.
• Directional brushwork can be used to create a sense of movement and turbu- lence in your painting.
• By repeating similar techniques and processes, you end up creating a strong style which people can remember you by.