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A&P by John Updike- 1962 In walks these three girls in ..., Exercises of Voice

"We are decent," Queenie says suddenly, her lower lip pushing, getting sore now that she remembers her place, a place from which the crowd that runs the A & P.

Typology: Exercises

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A&P
by John Updike- 1962
In walks these three girls in nothing but bathing suits. I'm in the third check-out
slot, with my back to the door, so I don't see them until they're over by the bread.
The one that caught my eye first was the one in the plaid green two-piece. She
was a chunky kid, with a good tan and a sweet broad soft-looking can with those
two crescents of white just under it, where the sun never seems to hit, at the top
of the backs of her legs. I stood there with my hand on a box of HiHo crackers
trying to remember if I rang it up or not. I ring it up again and the customer starts
giving me hell. She's one of these cash-register-watchers, a witch about fifty with
rouge on her cheekbones and no eyebrows, and I know it made her day to trip
me up. She'd been watching cash registers forty years and probably never seen a
mistake before.
By the time I got her feathers smoothed and her goodies into a bag -- she gives
me a little snort in passing, if she'd been born at the right time they would have
burned her over in Salem -- by the time I get her on her way the girls had circled
around the bread and were coming back, without a pushcart, back my way along
the counters, in the aisle between the check-outs and the Special bins. They
didn't even have shoes on. There was this chunky one, with the two-piece -- it
was bright green and the seams on the bra were still sharp and her belly was still
pretty pale so I guessed she just got it (the suit) -- there was this one, with one of
those chubby berry-faces, the lips all bunched together under her nose, this one,
and a tall one, with black hair that hadn't quite frizzed right, and one of these
sunburns right across under the eyes, and a chin that was too long -- you know,
the kind of girl other girls think is very "striking" and "attractive" but never quite
makes it, as they very well know, which is why they like her so much -- and then
the third one, that wasn't quite so tall. She was the queen. She kind of led them,
the other two peeking around and making their shoulders round. She didn't look
around, not this queen, she just walked straight on slowly, on these long white
prima donna legs. She came down a little hard on her heels, as if she didn't walk
in her bare feet that much, putting down her heels and then letting the weight
move along to her toes as if she was testing the floor with every step, putting a
little deliberate extra action into it. You never know for sure how girls' minds
work (do you really think it's a mind in there or just a little buzz like a bee in a
glass jar?) but you got the idea she had talked the other two into coming in here
with her, and now she was showing them how to do it, walk slow and hold
yourself straight.
She had on a kind of dirty-pink - - beige maybe, I don't know -- bathing suit with
a little nubble all over it and, what got me, the straps were down. They were off
her shoulders looped loose around the cool tops of her arms, and I guess as a
result the suit had slipped a little on her, so all around the top of the cloth there
was this shining rim. If it hadn't been there you wouldn't have known there could
have been anything whiter than those shoulders. With the straps pushed off, there
was nothing between the top of the suit and the top of her head except just her,
this clean bare plane of the top of her chest down from the shoulder bones like a
dented sheet of metal tilted in the light. I mean, it was more than pretty.
She had sort of oaky hair that the sun and salt had bleached, done up in a bun
that was unraveling, and a kind of prim face. Walking into the A & P with your
straps down, I suppose it's the only kind of face you can have. She held her head
so high her neck, coming up out of those white shoulders, looked kind of
stretched, but I didn't mind. The longer her neck was, the more of her there was.
She must have felt in the corner of her eye me and over my shoulder Stokesie in
the second slot watching, but she didn't tip. Not this queen. She kept her eyes
moving across the racks, and stopped, and turned so slow it made my stomach
rub the inside of my apron, and buzzed to the other two, who kind of huddled
against her for relief, and they all three of them went up the cat-and-dog-food-
breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-
crackers-and- cookies aisle. From the third slot I look straight up this aisle to the
meat counter, and I watched them all the way. The fat one with the tan sort of
fumbled with the cookies, but on second thought she put the packages back. The
sheep pushing their carts down the aisle -- the girls were walking against the
usual traffic (not that we have one-way signs or anything) -- were pretty
hilarious. You could see them, when Queenie's white shoulders dawned on them,
kind of jerk, or hop, or hiccup, but their eyes snapped back to their own baskets
and on they pushed. I bet you could set off dynamite in an A & P and the people
would by and large keep reaching and checking oatmeal off their lists and
muttering "Let me see, there was a third thing, began with A, asparagus, no, ah,
yes, applesauce!" or whatever it is they do mutter. But there was no doubt, this
jiggled them. A few house-slaves in pin curlers even looked around after pushing
their carts past to make sure what they had seen was correct.
You know, it's one thing to have a girl in a bathing suit down on the beach,
where what with the glare nobody can look at each other much anyway, and
another thing in the cool of the A & P, under the fluorescent lights, against all
those stacked packages, with her feet paddling along naked over our
checkerboard green-and-cream rubber-tile floor.
pf3
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A&P

by John Updike- 1962

In walks these three girls in nothing but bathing suits. I'm in the third check-out slot, with my back to the door, so I don't see them until they're over by the bread. The one that caught my eye first was the one in the plaid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs. I stood there with my hand on a box of HiHo crackers trying to remember if I rang it up or not. I ring it up again and the customer starts giving me hell. She's one of these cash-register-watchers, a witch about fifty with rouge on her cheekbones and no eyebrows, and I know it made her day to trip me up. She'd been watching cash registers forty years and probably never seen a mistake before.

By the time I got her feathers smoothed and her goodies into a bag -- she gives me a little snort in passing, if she'd been born at the right time they would have burned her over in Salem -- by the time I get her on her way the girls had circled around the bread and were coming back, without a pushcart, back my way along the counters, in the aisle between the check-outs and the Special bins. They didn't even have shoes on. There was this chunky one, with the two-piece -- it was bright green and the seams on the bra were still sharp and her belly was still pretty pale so I guessed she just got it (the suit) -- there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes, and a chin that was too long -- you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much -- and then the third one, that wasn't quite so tall. She was the queen. She kind of led them, the other two peeking around and making their shoulders round. She didn't look around, not this queen, she just walked straight on slowly, on these long white prima donna legs. She came down a little hard on her heels, as if she didn't walk in her bare feet that much, putting down her heels and then letting the weight move along to her toes as if she was testing the floor with every step, putting a little deliberate extra action into it. You never know for sure how girls' minds work (do you really think it's a mind in there or just a little buzz like a bee in a glass jar?) but you got the idea she had talked the other two into coming in here with her, and now she was showing them how to do it, walk slow and hold yourself straight.

She had on a kind of dirty-pink - - beige maybe, I don't know -- bathing suit with a little nubble all over it and, what got me, the straps were down. They were off her shoulders looped loose around the cool tops of her arms, and I guess as a result the suit had slipped a little on her, so all around the top of the cloth there was this shining rim. If it hadn't been there you wouldn't have known there could have been anything whiter than those shoulders. With the straps pushed off, there was nothing between the top of the suit and the top of her head except just her, this clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light. I mean, it was more than pretty.

She had sort of oaky hair that the sun and salt had bleached, done up in a bun that was unraveling, and a kind of prim face. Walking into the A & P with your straps down, I suppose it's the only kind of face you can have. She held her head so high her neck, coming up out of those white shoulders, looked kind of stretched, but I didn't mind. The longer her neck was, the more of her there was.

She must have felt in the corner of her eye me and over my shoulder Stokesie in the second slot watching, but she didn't tip. Not this queen. She kept her eyes moving across the racks, and stopped, and turned so slow it made my stomach rub the inside of my apron, and buzzed to the other two, who kind of huddled against her for relief, and they all three of them went up the cat-and-dog-food- breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks- crackers-and- cookies aisle. From the third slot I look straight up this aisle to the meat counter, and I watched them all the way. The fat one with the tan sort of fumbled with the cookies, but on second thought she put the packages back. The sheep pushing their carts down the aisle -- the girls were walking against the usual traffic (not that we have one-way signs or anything) -- were pretty hilarious. You could see them, when Queenie's white shoulders dawned on them, kind of jerk, or hop, or hiccup, but their eyes snapped back to their own baskets and on they pushed. I bet you could set off dynamite in an A & P and the people would by and large keep reaching and checking oatmeal off their lists and muttering "Let me see, there was a third thing, began with A, asparagus, no, ah, yes, applesauce!" or whatever it is they do mutter. But there was no doubt, this jiggled them. A few house-slaves in pin curlers even looked around after pushing their carts past to make sure what they had seen was correct.

You know, it's one thing to have a girl in a bathing suit down on the beach, where what with the glare nobody can look at each other much anyway, and another thing in the cool of the A & P, under the fluorescent lights, against all those stacked packages, with her feet paddling along naked over our checkerboard green-and-cream rubber-tile floor.

"Oh Daddy," Stokesie said beside me. "I feel so faint."

"Darling," I said. "Hold me tight." Stokesie's married, with two babies chalked up on his fuselage already, but as far as I can tell that's the only difference. He's twenty-two, and I was nineteen this April.

"Is it done?" he asks, the responsible married man finding his voice. I forgot to say he thinks he's going to be manager some sunny day, maybe in 1990 when it's called the Great Alexandrov and Petrooshki Tea Company or something.

What he meant was, our town is five miles from a beach, with a big summer colony out on the Point, but we're right in the middle of town, and the women generally put on a shirt or shorts or something before they get out of the car into the street. And anyway these are usually women with six children and varicose veins mapping their legs and nobody, including them, could care less. As I say, we're right in the middle of town, and if you stand at our front doors you can see two banks and the Congregational church and the newspaper store and three real- estate offices and about twenty-seven old free-loaders tearing up Central Street because the sewer broke again. It's not as if we're on the Cape; we're north of Boston and there's people in this town haven't seen the ocean for twenty years.

The girls had reached the meat counter and were asking McMahon something. He pointed, they pointed, and they shuffled out of sight behind a pyramid of Diet Delight peaches. All that was left for us to see was old McMahon patting his mouth and looking after them sizing up their joints. Poor kids, I began to feel sorry for them, they couldn't help it.

Now here comes the sad part of the story, at least my family says it's sad but I don't think it's sad myself. The store's pretty empty, it being Thursday afternoon, so there was nothing much to do except lean on the register and wait for the girls to show up again. The whole store was like a pinball machine and I didn't know which tunnel they'd come out of. After a while they come around out of the far aisle, around the light bulbs, records at discount of the Caribbean Six or Tony Martin Sings or some such gunk you wonder they waste the wax on, six packs of candy bars, and plastic toys done up in cellophane that fall apart when a kid looks at them anyway. Around they come, Queenie still leading the way, and holding a little gray jar in her hand. Slots Three through Seven are unmanned and I could see her wondering between Stokes and me, but Stokesie with his usual luck draws an old party in baggy gray pants who stumbles up with four giant cans of pineapple juice (what do these bums do with all that pineapple juice I've often asked myself) so the girls come to me. Queenie puts down the jar and I

take it into my fingers icy cold. Kingfish Fancy Herring Snacks in Pure Sour Cream: 49¢. Now her hands are empty, not a ring or a bracelet, bare as God made them, and I wonder where the money's coming from. Still with that prim look she lifts a folded dollar bill out of the hollow at the center of her nubbled pink top. The jar went heavy in my hand. Really, I thought that was so cute.

Then everybody's luck begins to run out. Lengel comes in from haggling with a truck full of cabbages on the lot and is about to scuttle into that door marked MANAGER behind which he hides all day when the girls touch his eye. Lengel's pretty dreary, teaches Sunday school and the rest, but he doesn't miss that much. He comes over and says, "Girls, this isn't the beach."

Queenie blushes, though maybe it's just a brush of sunburn I was noticing for the first time, now that she was so close. "My mother asked me to pick up a jar of herring snacks." Her voice kind of startled me, the way voices do when you see the people first, coming out so flat and dumb yet kind of tony, too, the way it ticked over "pick up" and "snacks." All of a sudden I slid right down her voice into her living room. Her father and the other men were standing around in ice- cream coats and bow ties and the women were in sandals picking up herring snacks on toothpicks off a big plate and they were all holding drinks the color of water with olives and sprigs of mint in them. When my parents have somebody over they get lemonade and if it's a real racy affair Schlitz in tall glasses with "They'll Do It Every Time" cartoons stenciled on.

"That's all right," Lengel said. "But this isn't the beach." His repeating this struck me as funny, as if it had just occurred to him, and he had been thinking all these years the A & P was a great big dune and he was the head lifeguard. He didn't like my smiling -- -as I say he doesn't miss much -- but he concentrates on giving the girls that sad Sunday- school-superintendent stare.

Queenie's blush is no sunburn now, and the plump one in plaid, that I liked better from the back -- a really sweet can -- pipes up, "We weren't doing any shopping. We just came in for the one thing."

"That makes no difference," Lengel tells her, and I could see from the way his eyes went that he hadn't noticed she was wearing a two-piece before. "We want you decently dressed when you come in here."

"We are decent," Queenie says suddenly, her lower lip pushing, getting sore now that she remembers her place, a place from which the crowd that runs the A & P must look pretty crummy. Fancy Herring Snacks flashed in her very blue eyes.

A CLEAN, WELL-LIGHTED PLACE (1933)

By Ernest Hemingway

It was late and every one had left the cafe except an old man who sat in the shadow the leaves of the tree made against the electric light. In the day time the street was dusty; but at night the dew settled the dust and the old man liked to sit late because he was deaf and now at night it was quiet and he felt the difference. The two waiters inside the cafe knew that the old man was a little drunk, and while he was a good client they knew that if he became too drunk he would leave without paying, so they kept watch on him. "Last week he tried to commit suicide," one waiter said. "Why?" "He was in despair." "What about?" "Nothing." How do you know it was nothing?" "He has plenty of money." They sat together at a table that was close against the wall near the door of the cafe and looked at the terrace where the tables were all empty except where the old man sat in the shadow of the leaves of the tree that moved slightly in the wind. A girl and a soldier went by in the street. The street light shone on the brass number on his collar. The girl wore no head covering and hurried beside him. "The guard will pick him up," one waiter said. "What does it matter if he gets what he's after?" "He had better get off the street now. The guard will get him. They went by five minutes ago." The old man sitting in the shadow rapped on his saucer with his glass. The younger waiter went over to him. "What do you want?" The old man looked at him. "Another brandy," he said. "You'll be drunk," the waiter said. The old man looked at him. The waiter went away. "He'll stay all night," he said to his colleague. "I'm sleepy now. I never get into bed before three o'clock. He should have killed himself last week." The waiter took the brandy bottle and another saucer from the counter inside the cafe and marched out to the old man's table. He put down the saucer and poured the glass full of brandy. "You should have killed yourself last week," he said to the deaf man. The old man motioned with his finger.

"A little more," he said. The waiter poured on into the glass so that the brandy slopped over and ran down the stem into the top saucer of the pile. "Thank you," the old man said. The waiter took the bottle back inside the cafe. He sat down at the table with his colleague again. "He's drunk now," he said. "He's drunk every night." "What did he want to kill himself for?" "How should I know." "How did he do it?" "He hung himself with a rope." "Who cut him down?" "His niece." "Why did he do it?" "For his soul." "How much money has he got?" "He's got plenty." "He must be eighty years old." "Anyway I should say he was eighty." "I wish he would go home. I never get to bed before three o'clock. What kind of hour is that to go to bed?" "He stays up because he likes it." "He's lonely. I'm not lonely. I have a wife waiting in bed for me." "He had a wife once too." "A wife would be no good to him now." "You can't tell. He might be better with a wife." "His niece looks after him." "I know. You said she cut him down." "I wouldn't want to be that old. An old man is a nasty thing." "Not always. This old man is clean. He drinks without spilling. Even now, drunk. Look at him." "I don't want to look at him. I wish he would go home. He has no regard for those who must work." The old man looked from his glass across the square, then over at the waiters. "Another brandy," he said, pointing to his glass. The waiter who was in a hurry came over. "Finished," he said, speaking with that omission of syntax stupid people employ when talking to drunken people or foreigners. "No more tonight. Close now." "Another," said the old man.

"No. Finished." The waiter wiped the edge of the table with a towel and shook his head. The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket and paid for the drinks, leaving half a peseta tip. The waiter watched him go down the street, a very old man walking unsteadily but with dignity,. "Why didn't you let him stay and drink?" the unhurried waiter asked. They were putting up the shutters. "It is not half-past two." "I want to go home to bed." "What is an hour?" "More to me than to him." "An hour is the same." "You talk like an old man yourself. He can buy a bottle and drink at home." "It's not the same." "No, it is not," agreed the waiter with a wife. He did not wish to be unjust. He was only in a hurry. "And you? You have no fear of going home before your usual hour?" "Are you trying to insult me?" "No, hombre, only to make a joke." "No," the waiter who was in a hurry said, rising from putting on the metal shutters. "I have confidence. I am all confidence." "You have youth, confidence, and a job," the older waiter said. "You have everything." "And what do you lack?" "Everything but work." "You have everything I have." "No. I have never had confidence and I'm not young." "Come on. Stop talking nonsense and lock up." "I am of those who like to stay late at the cafe," the older waiter said. "With all those who do not want to go to bed. With all those who need a light for the night." "I want to go home and into bed." "We are of two different kinds," the older waiter said. He was now dressed to go home. "It is not only a question of youth and confidence although those things are very beautiful. Each night I am reluctant to close up because there may be some one who needs the cafe." "Hombre, there are bodegas open all night long." "You do not understand. This is a clean and pleasant cafe. It is well lighted. The light is very good and also, now, there are shadows of the leaves." "Good night," said the younger waiter.

"Good night," the other said. Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and light. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it was already nada y pues nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine. "What's yours?" asked the barman. "Nada." "Otro loco mas," said the barman and turned away. "A little cup," said the waiter. The barman poured it for him. "The light is very bright and pleasant but the bar is unpolished," the waiter said. The barman looked at him but did not answer. It was too late at night for conversation. "You want another copita?" the barman asked. "No, thank you," said the waiter and went out. He disliked bars and bodegas. A clean, well-lighted cafe was a very different thing. Now, without thinking further, he would go home to his room. He would lie in the bed and finally, with daylight, he would go to sleep. After all, he said to himself, it is probably only insomnia. Many must have it.

Girl by Jamaica Kincaid

Wash the white clothes on Monday and put them on the stone heap; wash the color clothes on Tuesday and put them on the clothesline to dry; don’t walk barehead in the hot sun; cook pumpkin fritters^1 in very hot sweet oil; soak your little cloths right after you take them off; when buying cotton to make yourself a nice blouse, be sure that it doesn’t have gum 2 on it, because that way it won’t hold up well after a wash; soak salt fish overnight before you cook it; is it true that you sing benna^3 in Sunday school?; always eat your food in such a way that it won’t turn someone else’s stomach; on Sundays try to walk like a lady and not like the slut you are so bent on becoming; don’t sing benna in Sunday school; you mustn’t speak to wharf- rat boys, not even to give directions; don’t eat fruits on the street – flies will follow you; but I don’t sing benna on Sundays at all and never in Sunday school; this is how to sew on a button; this is how to make a button-hole for the button you have just sewed on; this is how to hem a dress when you see the hem coming down and so to prevent yourself from looking like the slut I know you are so bent on becoming; this is how you iron your father’s khaki shirt so that it doesn’t have a crease; this is how you iron your father’s khaki pants so that they don’t have a crease; this is how you grow okra – far from the house, because okra^4 tree harbors red ants; when you are growing dasheen^5 , make sure it gets plenty of water or else it makes your throat itch when you are eating it; this is how you sweep a corner; this is how you sweep a whole house; this is how you sweep a yard; this is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all; this is how you smile to someone you like completely; this is how you set a table for tea; this is how you set a table for dinner; this is how you set a table for dinner with an important guest; this is how you set a table for lunch; this is how you set a table for breakfast; this is how to behave in the presence of men who don’t know you very well, and this way they won’t recognize immediately the slut I have warned you against becoming; be sure to wash every day, even if it is with your own spit; don’t squat down to play marbles – you are not a boy, you know; don’t pick people’s flowers – you might catch something; don’t throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona^6 ; this is how to make pepper pot^7 ; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don’t like, and that

way something bad won’t fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man; and if this doesn’t work there are other ways, and if they don’t work don’t feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn’t fall on you; this is how to make ends meet; always squeeze bread to make sure it’s fresh; but what if the baker won’t let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won’t let near the bread?


1 fritters: small fried cakes of batter, often containing vegetables, fruit, or other fillings 2 gum: plant residue on cotton 3 sing benna: sing popular music (not appropriate for Sunday school) 4 okra: a shrub whose pods are used in soups, stews, and gumbo 5 dasheen: the taro plant, cultivated, like the potato, for its edible tuber 6 doukona: plantain pudding; the plantain fruit is similar to the banana 7 pepper pot: a spicy West Indian stew