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Typology: Essays (university)
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I was not properly introduced in the realms of art. I did not know that music, dancing or the paintings that I thought were pictures then are forms of art. It is usually said that the eyes are our windows to the world, as well as the windows to our soul. The reflection of light in our eyes is a sign of our living existence, which can be called as the spark of life, in the exchange within the borders of eye expression to gaze communication (S. Marinkovic, 2016). Later on, I realized each art has its own peculiar and untranslatable sensuous charm, has its own special manner of reaching the imagination, its own special responsibilities to its material. On September 4, 2019, the Sound of Serenity of Eduardo Perreras caught my attention (see Figure 1), a painting which is being held and exhibited in an art gallery called PASEO in Glorietta Malls in Makati City, Philippines. This encases a sitting lady holding a violin enveloped by a fish. What caught my interest is, aside from the violin, is the title of the painting. The painting speaks music and elegance in a calm manner. The color scheme of the painting calls for tranquility and harmony as the hue of blue on the fish and green on the dress of the lady takes the dominating colors on the artwork. This highlights Perreras emphasis on the emotion he wants to draw out of the colors he selected. Serenity. Furthermore, the use of the violin in this painting gives the context of not only of elegance, but also of beauty. In addition of that, the grace and beauty in it implies that it is interior and can never be taken away at any time in this life, unless it has been stripped away from yourself through negative thought and deeds. Thus, prompts music into the picture. Music represents emotions, good times, bad times and message from the inner self. It provides parameters as it shapes the society and identities. It is a framework that can be used to frame experiences, perception, feelings and the behavior how one act and carry oneself. All art constantly aspires towards the condition of music because it is the general aim of art to obliterate the distinction between matter and form, and only in music, or so it would appear, does there exist the possibility of perfect obliteration. A fish, on the other hand, symbolizes serenity, wisdom, rebirth, good luck and so on. It represents awareness of the unconsciousness or of the higher self. In this collection of symbolisms in an artwork impresses the perception of art in its sophistication and grace in face of calmness amidst of anything. Fluidity of the curve lines of the subject appeal to the flexibility and sensuality of the graceful movements in the painting. This work of art entails the beauty of individuality which is taking care of oneself. It is the belief and practice that every person is unique and self-reliant. Upon the artwork mentioned above, a painting in the Saatchi Art, an online art (^) Figure 1 Sound of Serenity by Eduardo Perreras
gallery and is the largest gallery and platform for artists in the world, of Karthik Balekudru Vishwanath of an Indian woman with a classical music instrument (see Figure 2) comes close to the focused artwork in this paper. In an article, Vishwanath stated that her inspiration on her painting was her music teacher who taught her Indian Classical Carnatic music. The rhythm and the significance to the human mind, health, and emotions; the relevance to the nature and its process; the music’s connections to human life in general was in part of what her music teacher taught her of the esoteric elements along with the Carnatic tunes. Because of its blue background, a calming effect is pictured on the mind which would be helpful to be hung in balconies or mediation room for its energy. Both Perreras and Vishwanath contends with paintings that expresses woman in modern art that is centered in the field of music. Their styles show expressionism which seeks to depict not objective reality but rather the subjective emotions and responses that subjects, objects and events arouse within a person and is distorted in order to make it expressive in the artist’s inner feelings or ideas; portraiture with its intent to display the likeness, personality, and may even include the mood of the person; modern art in which it showcase the artists’ interest in re-imagining, reinterpreting, and even dismissing and rejecting the traditional aesthetic values of the preceding styles; and lastly, conceptual art wherein its medium is an idea or concept which usually manipulated by the tools of language and its concerns are idea-based rather than formal. According to Walter Parter, he noted that “all art constantly aspires towards the condition of music, “as he wrote it The School of Giogne. It could be found as sufficiently abstract and elusive still to occasion in a productive mediation. If art merely addressed the intellect, if it merely conveyed a content then the particular form in which art's content was communicated would be dispensable (Herzog, 1996). Consider, by way of contrast, the particular utility of the subjects, of the perceived sound as the medium of sensory information. It is the lack of dimensionality, and the incapable of being diminished of the role of temporal variations which shape the feeling of musical inclination and its fascination evoked by the attempts to follow the multifarious modification of patterns in art. No form of art is merely a means , from which it follows that each form is incapable of translation into any other. (Herzog, 1996). As for painting, poetry, and the like, mere means to the representation of a given subject-matter, then each could be dispensed with in favor of any other. Each would be, in Walter Pater's words, “as but translations into different languages of one and the same fixed quantity of imaginative thought, supplemented by certain technical qualities.” The truth, for Pater, is just the reverse: what addresses the intellect at the same time addresses the senses in all their concrete particularity, and form is no more detachable from content than is content detachable from form. In this regard, perhaps given by a clearer visual impression in words than in any other human activity, the subjective experience of art which can be called as aesthetics, and how it activates memory, approaches the yearning of extending present circumstances toward a possible future and thereby imagine the course of events at the current time. Within the confines of the classifications of art in the form of painting has been given the perceptual capabilities of those who will take a peek into the artwork. Such an open interpretation is necessary: to embrace the intuitive concentration of an artist work, the enchanted spectral of the world called as the fusion of horizons where the artist is coming, allegories Figure 2 an Indian woman with a classical instrument by Karthik Balekudru VIshwanath retrieved from https://www.saatchiart.com/art/Painting-Indian-woman- with-a-classical-music-instrument/1101581/view