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Material Type: Notes; Professor: Matthews; Class: Philosophy of Religion; Subject: Interdepartmental; University: Millikin University; Term: Summer 2007;
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Summer 2007 IN250 Courses IN 250/ EN 220 Social Issues in Rock Music - George IN 250 Aging in America During the Past 100 Years - Jenkins IN 250/ EN 220 Images of Blackness in Fiction and Film in 1920-1940 - McKenna IN 250 Women in the Workforce - Folger IN 250 Censorship Should You Be Reading That? - Mitchell IN 250 Film and the Black Experience in America - Golden/ Huston IN 250 Introduction to Studies of Middle America (July 5-27) - Matthews/Stapleton/Keagle IN 250 Introduction to Studies of Middle America ( July 30-August 21) - Matthews/Stapleton/Keagle Summer 2007 IN250 Course Descriptions IN 250/ EN 220 Social Issues in Rock Music - George People rarely see popular music as worthy of scholarly study. Yet popular music represents our society and the issues that individuals face within it. This is a course about our society and the issues that we face as part of it. Our primary materials will be rock songs (with a little jazz, blues, and country thrown in, since these genres are related to and precursors of rock) and their lyrics. Class sessions will be devoted to listening to songs, reading their lyrics, and applying a variety of critical theories including feminism, Marxism, and postcolonialism to the issues represented in the songs. Dates: May 15- Times: 9:00 am-3:00 pm Dates: W, Th, F, M, T,W Credits: 03 Instructor: Michael George IN 250 Aging in America During the Past 100 Years - Jenkins The fastest growing segment of the population in the United States is age 85 and over. This course offers a unique opportunity for students to understand the special needs of this segment of the population. This course introduces students to the “world of eldercare” in the United States as seen through the eyes of a daughter caring for her mother with two broken hips and a father with Dementia. Also the students will discover the world of two Afro-American females born into slavery and their reflections on life at the age of 105 and 103 respectively. The student will be introduced to normal aging changes: physiological, sociological and psychological. Other topics of discussion will be resources available to assist older adults when they lose their ability of care for their selves and end of life decisions. The students will visit resources in the Central Illinois area that are available to older adults. Dates: May 21-25, 2007 Times: 8:00 am-5:00 pm Days: M,T,W,Th,F Credits: 3 Instructor: Debra Jenkins IN 250/ EN 220 Images of Blackness in Fiction and Film in 1920-1940 - McKenna Institutionalized segregation was at its peak under Jim Crow and Plessey v. Ferguson. The Ku Klux Klan was terrorizing African-Americans in the South. Woodrow Wilson’s policies regarding blacks in Civil Service jobs resulted in an 80% decrease of blacks working for the government. Black literacy however had just become equal to whites. Increasing numbers of black owned businesses and professional people were able to serve the needs of black communities. The NAACP was in its infancy and Unions were gaining pay equity for both black and white employees. The Harlem Renaissance writers produced some of the finest writing of the era and jazz was born in the Mississippi delta. In the midst of these racial paradoxes, a variety of images of black Americans began to emerge in both literature and film. Works by black writers were being read by both black and white audiences. A new positive and powerful image of African-Americans was beginning to emerge. White writers often clung to racial
stereotypes in their stories and novels portraying blacks as lazy and ignorant. African-Americans’ depiction in film of the era was even worse. From Birth of a Nation’s simian images of black Congressmen to Bill Robinson’s role as the happy house slave, the film from this era enhanced negative racial stereotypes. In this course, students will become acquainted with the images of African- Americans through the writings of both black and white authors and the film portrayal of blacks during the 1920s and 1930s. The writings and films will be placed in both historical and social contexts. Dates: May 17-24 (not meeting 5/20) Times: 9:00 am–4:00 pm Days: Th, F, Sa, M,T,W,Th Credits: 3 Instructor: Sandra K. McKenna IN 250 Women in the Workforce - Folger Although women have made great strides in American society, the reality is that, since the 1990’s, progress has slowed considerably. This course will examine women in the workforce not only from a historical perspective of WWII to present day, but also focusing on identifying and exploring solutions to challenges and issues that women face in the world of work. Topics include: gender roles/differences in the workplace, hidden beliefs about gender and their impact for the professional woman, traditional roles and norms vs. Modern roles and norms, the glass ceiling in hiring, labor force participation rates, college-educated women, non-traditional employment for women, salary and salary negotiations, and balancing motherhood and career. Films and panel discussions will also be used in this course. Dates: May 17, 18, 21, 22, 23 Times: 9:00 am - 5:00 pm Days: Th,F, M,T,W Credits: 3 Instructor: Pamela Folger IN 250 Censorship Should You Be Reading That? - Mitchell Censorship! Whether the issue is sexuality, profanity, religion, or racial insensitivity, censorship sparks great debate. For example, some believe that the charms and spells in the Harry Potter series teach witchcraft and occult practice and should be restricted or removed from the schools. The objective of this course is to investigate the issue of censorship throughout history. We will examine, through lecture, discussion, small group work, and research, the history of censorship in the United States, issues in dispute, individuals in society who censor, and major court rulings. Through examining critical court cases concerning censorship, students will develop their own critical thinking skills as they seek to understand how censorship relates to their own and others’ experiences in today’s schools in the United Sates. Dates: May 16-18, May 21- Times: 8:00 am-1:00 pm Days: M,T,W,Th,F Credits: 3 Instructor: Ronda Mitchell IN 250 Film and the Black Experience in America - Golden/ Huston The course will include viewing and discussing a series of films based upon the Black experience in America. Films being considered include those of Spike Lee, Native Son and Amistead among others. There will be two papers due in the course which will utilize the big screen at the Avon theatre in Decatur. Dates: May 29-June 1, June 4- Times: 12:00 pm-4:00 pm Days: T, W, Th, F, M, T, W, Th, F