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An in-depth exploration of the origins, structure, and evolution of ancient greek theatre, focusing on its connection to music, the role of the chorus, and the development of tragic plays. It also delves into the significance of dionysus, the god of wine, and the dionysiac cults in the emergence of theatre. The document further discusses the components of ancient greek theatre, the festival of dionysia, and the three great tragic playwrights: aeschylus, sophocles, and euripides.
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The actual songs or odes in Ancient theatre derived from Pindar’s poetry. The ode was written to celebrate great achievements such as military victories, triumphs at the Olympic Games, chariot races etc.
The structure of Pindar’s odes were adapted by the chorus- strophe-anti strophe or turn counter turn (the chorus sang stage right then danced across the stage and sang the anti strophe stage left). The Petrarchan sonnet also adopted this movement countermovement structure (octave volta sestet).
Ancient Greek Theater
Three Great Tragic Playwrights of Ancient Greece