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A handbook for students in the Columbia University School of Social Work's Department of Field Education. It outlines the importance of process recording in social work education and provides guidelines for various recording models. The handbook covers narrative models, verbatim models, reflective journals, project logs, and social enterprise administration recordings. It also discusses the role of process recording in developing interactive practice skills and integrating the varied dimensions of social work.
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Contents
Overview of Process Recording 2
Logs 4
Direct Practice, Clinical Practice and AGP&P (when indicated):
Sample Process Recording: Narrative Model #1 9
Sample Process Recording: Narrative Model #2 14
Narrative Process Recording Outline
Sample Process Recording: Narrative Model #3 19
Sample Process Recording: "Verbatim" with Columns #4 22
"Verbatim" with Columns Outline
AGP&P Recordings 29
Model 1-A: Process Recording (Verbatim Model)
Model 1-B: Process Recording (Narrative Model)
Model II: Reflective Journal 47
Model III: The Project Log 49
Social Enterprise Administration Recordings
Sample Logs 54
Policy Practice Recordings 58
Sample Products for Portfolio
Reflective Log Entries 58-
A. I dentifying pertinent information:The student's name, date of the interview and the client's initials of identifying number (remember: always disguise client name to protect confidentiality). It is helpful to state who was present during the contact and the number of the interview (i.e., "Fourth contact with Mrs. S; Mrs. S and Johnny were present"). On a first contact, it may also be helpful to include name and ages of the client system under consideration. B. Objectives for the interview. Briefly state whether there are any specific goals to be achieved, the nature of the referral, the nature of the initial or presenting issues, the student's plans, and the client's agenda. C. A word-for-word description of what happened as well as the student can recall. D. A description of any action or nonverbal activity that occurred. E. The student's feelings and reactions to the client and to the interview as it took place. This requires the student to put in writing unspoken thoughts and reactions as the interview is going on. (E.g., "At this point I began to feel uneasy. I was a little frightened and wondered what to do next.") F. The student's observations and analytical thoughts regarding what has been happening during an interview. (E.g., "I wondered what would happen if I said such-and-such. I chose not to but I wondered whether I should have raised it," or "Mrs. S. said she felt happy but this seemed to contradict what she said earlier. I didn’t think she looked very happy so I asked her to explain further.") G. A summary of the student's impressions. This is a summary of the student's analytical thinking about the entire interview. H. Future plans. Identification of unfinished business, identification of short and longer-term goals. I. Identification of questions for field instruction. This provides the student with the opportunity to build upon their ability to become autonomous workers.
VII. Models of Process Recordings A. There are a variety of models of process recordings, all of which are useful. Each has its own advantages and disadvantages. B. In the Columbia University Field Education Manual, the model used is the narrative/verbatim model. C. Students should use whatever model is suggested by their field instructors. D. The model you use may change as your learning needs change. As you progress, your field instructor may suggest audio or video taping as well. Any questions about recordings should first be addressed to your field instructor then to your field advisor.
VIII. Requirements for Process Recordings A. Students must complete two to three full process recordings per week. Keep copies of all process recordings for yourself. B. Process recordings must maintain confidentiality. All clients should be identified only by initials or a pseudonym. C. Students must submit copies of their process recording weekly to their field instructor. D. Process recordings should be discussed in supervision after the field instructor has read them. E. Once a month students must submit one or more process recordings to their field advisor for review of the learning process. F. Practice courses also frequently have assignments that involve submission of process recordings. See individual courses for expectations.
IX. Practical Concerns A. How do I remember all that stuff? Although your recall will improve as you have more experience, the purpose of process recordings is not perfect recall. All interactions are reconstructed in the reporting process. Your impressions of significant events are most relevant. It can help to write notes of the interaction after the session. If you want to take notes during the session to remember factual information, you must clear it with your agency and field instructor, as different agencies have different policies about this. B. How much should I tell? The more information you are willing to provide, the more opportunity you will have to learn. Omitting or changing the process to fit what you think is your field instructor's expectation is not helpful. Everyone makes mistakes in this kind of work, even experienced practitioners, and it is in examining your mistakes that you will generally learn the most. C. Should I type or hand write? This again is up to you and your field instructor and field advisor. The legibility of your handwriting is a factor, as is accessibility of a computer. D. How do I respect confidentiality? Omit all names but yours from process recordings. Do not leave process recordings in public areas where other clients or agency staff has access to them.
X. Groups, family sessions and committee meetings may also be the subject of a Process Recording. Record verbal and non-verbal behaviors engaged in by specific members of the group. Guide your observations by the statements and questions included below. Focus on the process that emerged in the meeting rather than on the content of what is said. A. DESCRIPTION OF THE SETTING: context, type of group/meeting B. STRUCTURE: How does the group organize to accomplish its task?
H. Brief assignment description--a few sentences providing background, origin, and context of assignment. I. Activity Summary--a n of primary project activitiesdescriptio completed during the week; and identification of problems or barriers encountered. J. Revised Task Plan--modifications in task plan and timetable as a result of problems encountered or experience gained during conduct or work. If there is a major revision, a new plan should be described. K. Student assessment of activity- (as above). L. Agenda- (as above).
Narrative Model
INTERVIEW WITH CLIENT
Relevant Background Data
Worker's Purpose
Interview with Mr. & Mrs. B
Impressions
Sample Process Recording # Narrative Model
Interview with Client
Mark is beginning to feel more comfortable with me. I am hoping that he will soon disclose information to me concerning his father and mother and his home. I think he is beginning to trust me, so I believe it will make the sessions better. I know that every time that he comes to see me he is mad because he wants to go home. I feel bad for him because he wants to go, but also know that he cannot return yet. It would be very discouraging to him if he had to come back. I feel very stuck with the case, but I am ready and willing to try to work and intervene not only with Mark, but with his mother and father as well. I am trying to alter his perception about the people at work and his feeling that no one is doing anything for him. I feel it is easy to talk with him about subjects that he wants, but he does not want to talk about what needs to be discussed. I feel I really need to talk about his relationship with his father and mother but I feel that he wants to avoid it.
For today's session, I would like to explore his feelings that no one understands. I want him to see that I know that I cannot completely understand what he is doing, but that I am willing to listen and try to comprehend it. I think this may show him that I do care and am interested in how he is feeling. I feel it is a relatively safe topic and that it could be a good way to establish more trust in our working relationship. This relates to our long-term goal because it will give me a better understanding of how he views Green Chimneys. It will also tell me how he is feeling, besides angry, about placement and what I do not understand. It is important to explore this. He could share with me how he feels like he is getting lost in the crowd and why. I am hoping that he may be able to tell me a definite example of how he is forgotten and to try to remedy it.
Today's session was rather interesting and did not go as well as I thought it would. I feel very overwhelmed and confused almost at the happenings. First, I called for Mark to be sent down to my office. He came a few minutes later and was excited to see that I had the art supplies. We talked a little about that and then he told me he had a good weekend. He said he played football and was happy because his mother had brought his cleats up on Thursday. He asked me a "really huge" favor, which was to have his sister come to Green Chimneys on Thursday for his birthday. I told him I would have to make sure it was ok and he wanted me to
call his sister to see if she could. We called and I spoke with her briefly, explaining that I had to just check it. She said she would call me back as to whether or not she could make it. I was feeling okay with the session and felt that Mark was not in a bad mood. That's why I was totally surprised at what happened. I began to bring up the topic I wanted to talk with Mark about and he started to get very tense. His face changed and he began drawing a new picture. I did not notice it at the time, but looking back, I see that before he had been drawing a "happy" picture, and then he began to draw one that was not as cheerful. I explained to him that there were things that had to be discussed in order for me to help him. He began to say how "you people do not understand and that "all of you are trying to keep me here." I told him that he was right that I could never really understand what he was doing, but that I would like to try. He got even angrier, saying that he was never going home, that maybe he would be discharged in June, and that no one is doing anything to help him, especially me. I asked him what he meant, told him that I was helping him and listening to him, but that he had to talk to me more about himself. He became very mad and, before I even knew what was happening, he stormed out. I was very shocked for a split second and then I grabbed my keys and walked after him. I watched him go into his classroom and I was completely clueless as to what I should do next. I went up to Candace's office and explained what had happened. She told me that he has a tendency to run off and that I should make it clear to him right away that he could not do that. I left her office feeling like a failure because this happened. Even though she said that he has done it before, I felt like I had said something wrong, maybe even something I should not have said. I thought it was mostly my fault and that maybe I should not have asked him anything when I saw he was beginning to get mad. But, I feel like anytime I bring up something he does not like, it will end up making him angry. This is usually what I would need or like to talk to him about. So, I was feeling down and I went back to my office. Three minutes later there was a knock at the door and Mark comes in. He told me that his teacher sent him back to me to apologize. I told him that we were going to have to talk about this. As I began to tell him that this was not going to be tolerable, the phone rang. It was Candace who was inquiring if Mark was with me. When I said yes, she told me that he was AWOL. I told her that he had said his teacher said he could come, but it turns out that he just walked out. She told me that someone was coming to take him to Transition. When I hung up with her, I asked Mark if he had a pass with him, from his teacher to come up to my office. He showed me a pass from 10:00 when he would have come to the session. It was not 10:55. When I asked him about this, he said that the teacher told him just to take this one. He also began telling me that a kid, Dantes was making fun of him and that he was going to kick Dantes' ass. I told him that he should tell his teacher that he was being teased. Then we got a knock at the door and when the man came in, Mark was pissed and started yelling and cursing. He said he was not going to Transition. The man told me to call over there and when I picked up the phone, Mark put his hands on it so I could not call out. We got his hands off and I called.
engage him in the matter. I also saw how angry he can get when he does not get his way. He can say very hurtful things to people, not caring because he just wants them to be upset.
I believe it is imperative to talk about this with Mark and work to mend whatever needs to be fixed. This is a good way to talk about dealing with anger in a healthy was. We could use this as an example and talk about what he may have done differently to address his anger. He has to learn that there are people you should respect and that there are rules that need to be followed. I am just not sure how we can bring this up, but I know that he is fully aware that this is gong to be our main topic of conversation.
Narrative Model
Student's Name:
Date of Interview:
Client's Name (Masked):
Summary
My Agenda