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In 'The Things They Carried', Tim O’Brien employs repetition and a heavy writing style to convey the monotony, trauma, and weight of the Vietnam War experience. This literary technique mirrors the symptoms of post-traumatic stress disorder (PTSD), creating a profound and unsettling reading experience. O’Brien's use of repetitive words, phrases, and long paragraphs not only emphasizes the burden of the physical and emotional things the soldiers carry but also the overwhelming weight of death that surrounds them.
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Heaviness In “The Things They Carried”, Tim O’Brien weaves together a wrenching story about the Vietnam War and the toll taken on the lives of the American soldiers who had to fight it. The shocking picture that emerges is teeming with throughlines of wartime monotony, trauma, and death. O’Brien effectively communicates these themes by relying not only on the content of his prose but also on its complementary style and arrangement. In this way, his writing impacts the reader beyond simple comprehension by creating something that is personally felt and experienced. Generous use of repetitive words, phrases, and sentences create an atmosphere that is tedious, and the weight of the words, sentences, and paragraphs mimics the emotional weight of death that permeates the story. More specifically, O’Brien uses repetition in his prose to emulate the monotony and lasting trauma of war as well as a heaviness of structure and description in order to emphasize the burden of the physical and emotional things the men carry and the overwhelming weight of death that surrounds them. Throughout the story, key words and phrases are repeated to infuse the writing with the same monotony experienced by First Lieutenant Jimmy Cross and his men. Paragraphs abound with references to the same people, places, and things in an incessant state of reiteration that almost becomes ritualistic. This is a clear nod to the kind of routine Jimmy Cross finds himself and his troops having to participate in to survive and make it through the day. It also juxtaposes the romanticized concept of war, that is one of constant action and excitement, with the mundane reality of navigating each day adhering to a strict schedule, all the while surrounded by the real possibility of death. This is perhaps the most unnerving aspect of the theme’s
development, as the reader participates in the monotony by poring over the same words, phrases, and lists just to make it to the next paragraph. O’Brien utilizes repeated concepts and metaphors such as the month of April, the notion of “necessity”, death as “Boom-down”, and the act of carrying to make the writing as weary as the men themselves. This is accomplished further by the frequent and long-winded listing of items that each man in the platoon carries. There is also another layer of relevance to the repetition that evokes feelings of trauma likely experienced by Jimmy Cross’ men. One of the core mechanisms behind post-traumatic stress disorder is the brain’s inability to properly process a traumatic event due to a fight or flight response. This causes the brain to get stuck in a loop as it continues to attempt and fail to process the trauma so the body can return to equilibrium. According to the American Psychiatric Association, this can manifest as “intrusive thoughts such as repeated, involuntary memories; distressing dreams; or flashbacks of the traumatic event” (“What Is Posttraumatic Stress Disorder?”). So much of the repetition O’Brien employs in his writing is a clear parallel to the symptoms of PTSD and is almost overtly represented through Kiowa’s inability to process witnessing Ted Lavender’s sudden death (3-4,9-10). In this respect, the repetition of words, phrases, and ideas is a kind of emulation of trauma or PTSD, which adds a profound and almost unsettling experience for the reader. Such reiteration produces feelings of detachment and desensitization from the self and its surroundings, as the words become so common, they begin to lose their meaning. Likewise, there is an unmistakable density and heaviness to O’Brien’s prose that no doubt alludes to the literal heaviness of the items and emotions the men carry with them as well as the weight and suddenness of death. Though there is a kind of brevity to some of the
slog through the tunnel. As the paragraph rounds to a close, the light at the end of the tunnel draws near, before the reader emerges in elation. The relief proves short-lived when the heaviness of the next paragraph begins, reminiscent of Ted Lavender’s untimely death darkening the joy of Lee Strunk’s return. In this manner, the weight and suddenness of death are not only reflected in the subject matter but also in the architecture of the paragraphs. It is evident that Tim O’Brien’s writing style in “The Things They Carried” effectively communicates many of the themes of his poignant story. The prose he constructs is painfully wrought and further develops the story’s thematic elements through its structure and arrangement. His use of repetition successfully conveys the monotony and tediousness of war in addition to conjuring feelings of trauma and PTSD that reverberate throughout. O’Brien is just as successful at solidifying the weight of the things they carried, physically and emotionally, through paragraphs that are long and dense. The heaviness of these collective sentences echoes the heavy abruptness of death that looms over the characters in the story and saturates their surroundings. The masterful relationship between styling and theme in O’Brien’s seminal work has clearly contributed to its enduring legacy as a staple portrayal of the Vietnam War and humanity at large.
Works Cited O'Brien, Tim. The Things They Carried. Cengage, 28 Mar. 1990, www.cengage.com/custom/static_content/OLC/s76656_76218lf/obrien.pdf. “What Is Posttraumatic Stress Disorder?” What Is PTSD? , American Psychiatric Association, Jan. 2017, www.psychiatry.org/patients-families/ptsd/what-is-ptsd.