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Lab 2 for Fundamentals of Lighting - Fall 2005 | TH 151, Lab Reports of Theatre

Material Type: Lab; Class: Dsgn Studio: Fund of Lighting; Subject: Theatre; University: Millikin University; Term: Unknown 1989;

Typology: Lab Reports

Pre 2010

Uploaded on 08/04/2009

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HERE BEFO RE US A S WE DREAM IN THE FRAME OF THE
PROS CEN IUM, E NCLOS ING A DARK NES S LIKE THE DARKNE SS
THAT QUIV ERS BEHI ND OU R CLOSED EYELID S.
AND NO W THE D ARK STAGE BEGI NS TO BURN A ND GLOW U NDE R OUR F INGER S,
BU RN INGL IKE T HE EMBERS OF TH E FORGE OF VULCAN ,
AND THE S HAF TS OF LIGHT STA B THROUG H
THE DA RK NES S, AND SH ADO WS LEAP AN D SH UDDER, A ND
WE A RE IN T HE REGION S WHE RE SPLENDO R AN D TERROR MO VE.
WE A RE PRACTIC ING A N ART OF LIG HT AND SH ADO W TH AT WA S OLD BEFO RE THE
PYRAM IDS , AN ART THA T CAN S HA KE OUR D IS POSITI ON S WIT H THOUGHTS
BEY OND THE REAC HES O F OUR S OUL.
ROBERT EDMUND JONES
TH 151 – FUNDAMENTALS OF LIGHTING Instructor: R. Brad Criswell
Fall 2005 Office: SH 211G
MWF 9:00-9:50 Phone: 424-3509
PD1 & Staley 23 Email:rcriswell@mail.millikin.edu
Acquaints the student with the technical procedures, instrumentation, equipment, organization and
basic design of effective lighting. Includes practical production applications. Laboratory
Course Goals:
To become aware of the role of light as an element of design in theatre production by understanding the
nature of light and ways to control it.
To become more aware of the ways we see through direct observation in various environments.
To experience the technical processes involved in bringing a professional caliber design from analysis to
production.
Methods and Course Requirements:
Lecture/Demonstrations—I will describe and demonstrate basic principles about the behavior of light and technical
factors that influence the variable qualities of light.
Assignments—There will be written assignments, group and individual projects, as well as script
analysis, and classroom discussions.
Quizzes, Exams and projects—Quizzes and exams are scheduled on the syllabus calendar. Other
assignment due dates will be announced in class.
Required Texts/Supplies:
Gillette, J. Michael. Designing With Light. 4th ed. Mountain View, CA. Mayfield Publishing
Company, 1998.
Williams, Tennessee. The Glass Menagerie. New York. Dramatist Publishing.
8” Adjustable Wrench
White Drawing Paper
Good Drawing Pencil---not mechanical
Good Eraser
Architects Scale
Protractor
Drafting Triangles
Grading
Comprehension—How well do you understand and respond on quizzes and exams?
Participation—Ho w well do you do in written assignments? Are you a willing participant in discussion?
Application—Do you excel/thrive in class projects?
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HERE BEFORE US AS WE DREAM IN THE FRAME OF THE PROSCENIUM, ENCLOSING A DARKNESS LIKE THE DARKNESS THAT QUIVERS BEHIND OUR CLOSED EYELIDS. AND NOW THE DARK STAGE BEGINS TO BURN AND GLOW UNDER OUR FINGERS, BURNINGLIKE THE EMBERS OF THE FORGE OF VULCAN, AND THE SHAFTS OF LIGHT STAB THROUGH THE DARKNESS, AND SHADOWS LEAP AND SHUDDER, AND WE ARE IN THE REGIONS WHERE SPLENDOR AND TERROR MOVE. WE ARE PRACTICING AN ART OF LIGHT AND SHADOW THAT WAS OLD BEFORE THE PYRAMIDS, AN ART THAT CAN SHAKE OUR DISPOSITIONS WITH THOUGHTS BEYOND THE REACHES OF OUR SOUL. ROBERT EDMUND JONES TH 151 – FUNDAMENTALS OF LIGHTING Instructor: R. Brad Criswell Fall 2005 Office: SH 211G MWF 9:00-9:50 Phone: 424- 3509 PD1 & Staley 23 Email:rcriswell@mail.millikin.edu Acquaints the student with the technical procedures, instrumentation, equipment, organization and basic design of effective lighting. Includes practical production applications. Laboratory

Course Goals:

To become aware of the role of light as an element of design in theatre production by understanding the nature of light and ways to control it. To become more aware of the ways we see through direct observation in various environments. To experience the technical processes involved in bringing a professional caliber design from analysis to production.

Methods and Course Requirements:

Lecture/Demonstrations—I will describe and demonstrate basic principles about the behavior of light and technical factors that influence the variable qualities of light. Assignments—There will be written assignments, group and individual projects, as well as script analysis, and classroom discussions. Quizzes, Exams and projects—Quizzes and exams are scheduled on the syllabus calendar. Other assignment due dates will be announced in class.

Required Texts/Supplies:

Gillette, J. Michael. Designing With Light. 4 th ed. Mountain View, CA. Mayfield Publishing Company, 1998. Williams, Tennessee. The Glass Menagerie. New York. Dramatist Publishing. 8” Adjustable Wrench White Drawing Paper Good Drawing Pencil---not mechanical Good Eraser Architects Scale Protractor Drafting Triangles

Grading

Comprehension—How well do you understand and respond on quizzes and exams? Participation—How well do you do in written assignments? Are you a willing participant in discussion? Application—Do you excel/thrive in class projects?

Grading Breakdown:

Participation 100pts—this will include in class work and mini projects Hang&Focus 50pts You are each responsible for completing 5 hours of Electrics work for Mainstage shows—Crucible, Lucky Stiff, and or Solstice--- Discuss schedules with respective show Master Electricians Quizzes 50pts Writing assignments 150pts (REJ Response + 3 reviews) Projects 8@25 pts 200pts Final Project 150pts TOTAL 700PTS Letter grade equivalents can be determined using the following cutoffs: A = 93% C = 73% A- = 90% C- = 70% B+ = 87% D+ = 67% B = 83% D = 63%, B- = 80% D- = 60% C+ = 77% F = 0-59% ATTENDANCE: Departmental policy applies for this class 2 absences are allowed—each absence beyond 2 will cost you 1/3 letter grade (B+ to B D- to F) 2 tardies = 1 absence

Disability Arrangements

No person shall on the basis of race, color, sex, age, handicap, national or ethnic origin, be excluded from participation in, be denied benefits of or be subjected to discrimination, under any program or activity sponsored by the University.

Academic Dishonesty: Cheating and Plagiarism

Cheating, one form of academic dishonesty is a serious offence. The most blatant examples include copying answers on tests, stealing tests or answer sheets, using someone else’s data in preparing reports and assisting others in such practices Another form of dishonesty, plagiarism, is also an unacceptable practice in the academic community. Examples include copying the words of another and presenting them as one’s own, using one’s own words in presenting another’s ideas but not documenting the source or providing one’ s own material for another to submit as his or her own work. The penalties for cheating and plagiarism are severe. For either offense a student may fail a particular assignment or an entire course or be suspended from the University. DATES TOPIC DUE 08/30 Intro/REJ Assignment 09/01 Qualities/Observing Light/Mall project Ch. 1/Ch. 2—REJ Response 09/04 NO CLASS LABOR DAY 09/06 Electricity Ch. 3 09/08 Electricity Lab—Meet in PD1 Mall Due