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Lecture No. 5 Week 5 Lord of the Flies
CHAPTER 7
Summary
The boys stop to eat as they travel toward the mountain. Ralph gazes disconsolately at the choppy ocean and muses on the fact that the boys have become slovenly and undisciplined. As he looks out at the vast expanse of water, he feels that the ocean is like an impenetrable wall blocking any hope the boys have of escaping the island. Simon, however, lifts Ralph’s spirits by reassuring him that he will make it home.
That afternoon, the hunters find pig droppings, and Jack suggests they hunt the pig while they continue to search for the beast. The boys agree and quickly track a large boar, which leads them on a wild chase. Ralph, who has never been on a hunt before, quickly gets caught up in the exhilaration of the chase. He excitedly flings his spear at the boar, and though it glances off the animal’s snout, Ralph is thrilled with his marksmanship nonetheless. Jack holds up his bloodied arm, which he claims the boar grazed with its tusks.
Although the boar escapes, the boys remain in a frenzy in the aftermath of the hunt. Excited, they reenact the chase among themselves with a boy named Robert playing the boar. They dance, chant, and jab Robert with their spears, eventually losing sight of the fact that they are only playing a game. Beaten and in danger, Robert tries to drag himself away. The group nearly kills Robert before they remember themselves. When Robert suggests that they use a real boar in the game next time, Jack replies that they should use a littlun instead. The boys laugh, delighted and stirred up by Jack’s audacity.
Ralph tries to remind everyone that they were only playing a game. Simon volunteers to return to the beach to tell Piggy and the littluns that the group will not return until late that night.
Darkness falls, and Ralph proposes that they wait until morning to climb the mountain because it will be difficult to hunt the monster at night. Jack challenges Ralph to join the hunt, and Ralph finally agrees to go simply to regain his position in the eyes of the group. Ralph, Roger, and Jack start to climb the mountain, and then Ralph and Roger wait somewhere near the top while Jack climbs alone to the summit. He returns, breathlessly claiming to have seen the monster. Ralph and Roger climb up to have a look and see a terrifying specter, a large, shadowy form with the shape of a giant ape, making a strange flapping sound in the wind. Horrified, the boys hurry down the mountain to warn the group.
Analysis
The boar hunt and the game the boys play afterward provide stark reminders of the power of the human instinct toward savagery. Before this point in the novel, Ralph has been largely baffled about why the other boys were more concerned with hunting, dancing, bullying, and feasting than with building huts, maintaining the signal fire, and trying to be rescued. But when he joins the boar hunt in this chapter, Ralph is unable to avoid the instinctive excitement of the hunt and gets caught up in the other boys’ bloodlust. In this scene, Golding implies that every individual, however strong his or her instinct toward civilization and order, has an undeniable, innate drive toward savagery as well. After the hunt, the boys’ reenactment of the chase provides a further reminder of the inextricable connection between the thrill of the hunt and the desire for power. Robert, the boy who stands in for the boar in the reenactment, is nearly killed as the other boys again get caught up
Sam and Eric did not see the beast: had the boys climbed the mountain in the daylight as Ralph wished, they would have seen the dead parachutist for what it was. Because they go at night, however, they see the parachutist distorted by shadows and believe it to be the beast. In a sense, the degree to which each boy is prone to see the beast mirrors the degree to which he gives in to his instinct toward savagery. This connection emphasizes the idea that the beast is a symbolic manifestation of the boys’ primitive inner instincts.
Chapter 8
“There isn’t anyone to help you. Only me. And I’m the Beast.... Fancy thinking the Beast was something you could hunt and kill!”
Summary
The next morning, the news of the monster has the boys in a state of uproar as they gather on the beach. Piggy, who was not on the mountain the night before, is baffled by the other boys’ claims to have seen the monster. Jack seizes the conch shell and blows into it clumsily, calling for an assembly. Jack tells the others that there is definitely a beast on the mountain and goes on to claim that Ralph is a coward who should be removed from his leadership role. The other boys, however, refuse to vote Ralph out of power. Enraged, Jack storms away from the group, saying that he is leaving and that anyone who likes is welcome to join him.
Deeply troubled, Ralph does not know what to do. Piggy, meanwhile, is thrilled to see Jack go, and Simon suggests that they all return to the mountain to search for the beast. The other boys are too afraid to act on his suggestion, however. Ralph slips into a depression, but Piggy cheers him up with an idea: they should build a new signal fire, on the
beach rather than on the mountain. Piggy’s idea restores Ralph’s hope that they will be rescued. The boys set to work and build a new fire, but many of them sneak away into the night to join Jack’s group. Piggy tries to convince Ralph that they are better off without the deserters.
Along another stretch of sand, Jack gathers his new tribe and declares himself the chief. In a savage frenzy, the hunters kill a sow, and Roger drives his spear forcefully into the sow’s anus. Then the boys leave the sow’s head on a sharpened stake in the jungle as an offering to the beast. As they place the head upright in the forest, the black blood drips down the sow’s teeth, and the boys run away.
As Piggy and Ralph sit in the old camp discussing the deserters, the hunters from Jack’s tribe descend upon them, shrieking and whooping. The hunters steal burning sticks from the fire on the beach. Jack tells Ralph’s followers that they are welcome to come to his feast that night and even to join his tribe. The hungry boys are tempted by the idea of pig’s meat.
Just before Jack’s tribe raids the beach, Simon slips away from the camp and returns to the jungle glade where he previously sat marveling at the beauty of nature. Now, however, he finds the sow’s head impaled on the stake in the middle of the clearing. Simon sits alone in the clearing, staring with rapt attention at the impaled pig’s head, which is now swarming with flies. The sight mesmerizes him, and it even seems as if the head comes to life. The head speaks to Simon in the voice of the “Lord of the Flies,” ominously declaring that Simon will never be able to escape him, for he lies within all human beings. He also promises to have some “fun” with Simon. Terrified and troubled by the apparition, Simon collapses in a faint.
story originally told in the Gospels of the New Testament. Indeed, many critics have described Simon as a Christ figure, for he has a mystical connection to the environment, possesses a saintly and selfless disposition, and meets a tragic and sacrificial death. Others tie the scene into a larger Freudian reading of Lord of the Flies, claiming that its symbols correspond exactly to the elements of the Freudian unconscious (with Jack as the id, Ralph as the ego, and Piggy as the superego). Lord of the Flies may indeed support these and a number of other readings, not necessarily at the exclusion of one another.
Indeed, many differences between Simon and Jesus complicate the comparison between the two and prevent us from seeing Simon as a straightforward Christ figure. Simon, unlike Jesus, is not a supernatural being, and none of the boys could possibly find salvation from the Lord of the Flies through faith in Simon. Rather, Simon’s terror and fainting spell indicate the horrific, persuasive power of the instinct for chaos and savagery that the Lord of the Flies represents. Simon has a deep human insight in the glade, for he realizes that it is not a real, physical beast that inspires the hunters’ behavior but rather the barbaric instinct that lies deep within each of them. Fearing that this instinct lies embedded within himself as well, Simon seems to hear the Lord of the Flies speaking with him, threatening him with what he fears the most. Unable to stand the sight any longer, Simon collapses into a very human faint.
In all, Simon is a complex figure who does not fit neatly into the matrix framed by Jack at the one end and Ralph at the other. Simon is kindhearted and firmly on the side of order and civilization, but he is also intrigued by the idea of the beast and feels a deep connection with nature and the wilderness on the island. Whereas Jack and Roger connect with the wilderness on a level that plunges them into primal
lust and violence, Simon finds it a source of mystical comfort and joy. Simon’s closeness with nature and his unwaveringly kind nature throughout the novel make him the only character who does not feel morality as an artificial imposition of society. Instead, we sense that Simon’s morality and goodness are a way of life that proceeds directly and easily from nature. Lord of the Flies is deeply preoccupied with the problem of fundamental, natural human evil—amid which Simon is the sole figure of fundamental, natural good. In a wholly nonreligious way, Simon complicates the philosophical statement the novel makes about human beings, for he represents a completely separate alternative to the spectrum between civilization and savagery of which Ralph and Jack are a part. In the end, Simon is both natural and good in a world where such a combination seems impossible.
