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Lectures 12-13: Goethe's The Sorrows of Young Werther, Slides of Literature

Goethe's Major Works. • The Sorrows of Young Werther (1774). • Roman Elegies (1790). • Wilhelm Meister's Apprenticeship (1796).

Typology: Slides

2021/2022

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Humanities 4
Lectures 12-13:
Goethe’s The Sorrows of Young
Werther
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Humanities 4

Lectures 12-13:

Goethe’s The Sorrows of Young

Werther

18th Century German

Literature

  • Transition from Latin to vernacular and

to/from French paradigm

  • Gottsched (1700-1766)
  • Enlightenment literature
  • Lessing’s Nathan the Wise
  • Sturm und Drang (1769-1786)
  • Goethe and Schiller

Goethe’s Major Works

  • The Sorrows of Young Werther (1774)
  • Roman Elegies (1790)
  • Wilhelm Meister’s Apprenticeship (1796)
  • Faust , Parts I (1808) and II (1832)
  • Elective Affinities (1809)
  • Theory of Colors (1810)
  • Italian Journey (1817)

Outline of The Sorrows of

Young Werther

  • Main Characters
  • Plot
  • Literary Form
  • Major Themes
  • Influence

Plot

  • Plot Points
    • W arrives, meets and falls in love with L
    • A’s arrival, W’s unhappiness and departure
    • W’s return, increased woes, climax
    • Suicide/resolution
  • Plot Features
    • Plot plays only minor role
    • Few external incursions

Literary Form

  • Epistolary novel
    • Subjective perspective of main character dominates
  • Editorial intervention
    • Provides information excluded by epistolary form
    • Provides independent moral framework

Nature

  • Nature vs. social life
    • freedom vs. constraint
  • Nature as an active force and source
    • vs. something to be mastered
  • W’s emotional connection to nature
  • Transformation in W’s attitude.
  • Anticipation of Romantic Conception

Sentimentalism

  • Philosophical Characterization
    • Sentiment/passion vs. intellect/reason
  • Literary references
    • Vicar of Wakefield, Klopstock, Ossian, Lessing’s Emilia Galotti
  • “Man is not master of himself, least of

all master of his own emotions” (7-1).

  • Mourning as a form of love

Suicide

  • Multiple instances of foreshadowing
  • Only possible resolution?
  • Werther’s “justifications”
    • Natural consequence of disease (8-12)
    • Relieve suffering (3-16)
    • Gain eternal freedom (3-16)
    • Atonement for sin (11-24, 12-20)
    • Sacrifice (12-20)
  • G’s critical stance

What’s the point?

  • Suicide?
  • Importance of feeling?
  • Central figure is Werther or Lotte?

Influence

  • Mary Shelley’s Frankenstein
  • 19th Centure French Opera, Werther

(Jules Massenet)

  • The New Sorrows of Young Werther

(Ulrich Plenzdorff)