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Overview of Classical Music: Terms & Definitions from Ancient Rome to the Renaissance, Quizzes of History of Music

Definitions and context for various musical terms and compositions from ancient rome through the renaissance period. Included are genres, compositions, and musical styles, such as gladiator music, puer natus introit chant, ave maria motet, and more. Each term is accompanied by its historical context and, where applicable, the composer or era of origin.

Typology: Quizzes

2015/2016

Uploaded on 09/21/2016

hoopgrl15
hoopgrl15 🇺🇸

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TERM 1
Gladiator
DEFINITION 1
-Genre: Music for Gladiators-Composer unknown*Ancient
Rome*antiquity*- recreated by modern musicologists
interpretation of this music
TERM 2
Puer natus
est
DEFINITION 2
-Anonymous -(Gregorian) Introit (entrance) Chant from the
Ordinary of Mass*Medieval Sacred Music*
TERM 3
Ave Maria
DEFINITION 3
-Josquin-Polyphonic Motet*15th Century*Renaissance*
TERM 4
El Grillo
DEFINITION 4
-Josquin-homophonic choral piece*Renaissance*
TERM 5
Neptune
DEFINITION 5
-Music to summon the God Neptune (God of the Sea)-
Composer unknown*Ancient Rome- God of the
Sea*antiquity*- recreated by modern musicologists to figure
out what this kind of music would sound like
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Gladiator

-Genre: Music for Gladiators-Composer unknownAncient Romeantiquity*- recreated by modern musicologists interpretation of this music TERM 2

Puer natus

est

DEFINITION 2 -Anonymous -(Gregorian) Introit (entrance) Chant from the Ordinary of MassMedieval Sacred Music TERM 3

Ave Maria

DEFINITION 3 -Josquin-Polyphonic Motet15th CenturyRenaissance* TERM 4

El Grillo

DEFINITION 4 -Josquin-homophonic choral pieceRenaissance TERM 5

Neptune

DEFINITION 5 -Music to summon the God Neptune (God of the Sea)- Composer unknownAncient Rome- God of the Seaantiquity*- recreated by modern musicologists to figure out what this kind of music would sound like

Epitaph of Seikilos

-Ancient Greek Song/epigram-Composer unknown1st Century C.E.words inscribed on gravestone found in Constantinople -now in a museum in Copenhagen. antiquity TERM 7

Choral Ode from Orestes

DEFINITION 7 -Euripides-Greek Theater music5th century c. B.C.From the tragedy of Orestesantiquity* TERM 8

Triclinium

DEFINITION 8 -Composer unknown-Dinner music*Ancient Rome antiquity- recreated by modern musicologists to figure out what this kind of music would sound like TERM 9

Quem queritis

DEFINITION 9 -Anonymous-Liturgical Drama(Musical & texture trope on Puer natus est)*Late 10th Century; boys= midwives, men=shepherds; Christmas "A Child is Born unto us" TERM 10

Gaudeamus hodie

DEFINITION 10 -Anonymous-Liturgical Drama CHRISTMAS (Another kind of troupe on Puer natus est)*F# minor

Jubilemus exultemus

-Anonymous-Florid organum (upper part fluid, bottom part steady/sustained) from the Abbey of San Martial in the Aquitaine (Southwestern France, no longer just note- against- note)1100St. Martial polyphony, COUNTERPOINTparts vary rhythmically TERM 17

Organum on Viderunt omnes

DEFINITION 17 -Leonin(us), 2v-Notre Dame style organum duplum*2nd half of the 12th centuryE flat feel, first polyphony at Notre Damebottom part- tenor, sustained TERM 18

Organum on Viedrunt omnes

DEFINITION 18 -Perotin(us), 4v-Notre Dame style organum quadruplum1198, D major feelthis and the previous one both: plainchant for choral portions, polyphony for soloist TERM 19

Viedrunt omnes

DEFINITION 19 -Anonymous-Gradual Chant from the Ordinary of the Mass, psalms TERM 20

Ave virgo

virginum

DEFINITION 20 -Anonymous-Conductus - rhymed, metrical, strophic Latin poems on sacred/ serious topics (metered and largely homophonic texture)Late 12th/ Early 13th centuryE major feel, Poem for praise of Virgin Mary

Can vei la lauzeta mover

-Bernart da Ventadorn-Troubador song (Canso- strophic song about love)Secular, F# minor feel; written in Milan and Paris manuscript1170-80 "Ventadorn the trabador* TERM 22

Se la face ay pale

DEFINITION 22 -Guillaume Du Fay-Ballade*15th Century polyphonic chanson; non-imitative polyphonyCancus Firmus- mass; 1430's TERM 23

De ma dame/ Dieus, Coument/Omnes

DEFINITION 23 -Adam de la Halle*13th century polytextual motet (polytextual; nonimitative polyphony) TERM 24

Cum statua/ Hugo, Hugo/ Magister invidie

DEFINITION 24 -Phillippe de Vitry-14th Century Ars Nova isorhythmic motet (polytextual; non-imitative polyphony; double leading tone cadences) TERM 25

Qualm pulchra es

DEFINITION 25 -John Dunstable-15th century English cantilena motet (Single text; homophonic texture)

Gloria from Missa da Notre

Dame

-Guillaume de Machaut-Ars Nova polyphonic Massnon- isorhythmic & largely homophonicdouble-leading tone cadences*canctus firmus is monophonic TERM 32

Gloria from Missa Se la face ay pale

DEFINITION 32 -Guillaume Dufay-15th century Tenor MassCanctus Firmus is monophonic & confined to tenor voiceisorhythmic/nonimitative polyphony TERM 33

Gloria from Missa Pange lingua

DEFINITION 33 -Josquin Dezprez-15th Century Paraphrase MassCanctus firmus is monophonic/ is placed in all voicesimitative polyphony*E Flat Major feel TERM 34

Credo from Pope Marcellus

Mass

DEFINITION 34 -Giovanni Pierluigi da Palestrina-"Free" mass *homophonic texture & imitative polyphony; NO CANCTUS FIRMUS TERM 35

Agnus dei from Pope Marcellus

Mass

DEFINITION 35 -Giovanni Pierluigi da Palestrina-"Free" mass *homophonic texture & imitative polyphony; NO CANCTUS FIRMUS

Kyrie from Missa O magnum mysterium

-Tomas Luis de Victoria-Imitation mass (aka parody mass)*Imitative polyphony; "canctus firmus" is polyphonic-F- B flat minor feel