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Definitions and context for various musical terms and compositions from ancient rome through the renaissance period. Included are genres, compositions, and musical styles, such as gladiator music, puer natus introit chant, ave maria motet, and more. Each term is accompanied by its historical context and, where applicable, the composer or era of origin.
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-Genre: Music for Gladiators-Composer unknownAncient Romeantiquity*- recreated by modern musicologists interpretation of this music TERM 2
DEFINITION 2 -Anonymous -(Gregorian) Introit (entrance) Chant from the Ordinary of MassMedieval Sacred Music TERM 3
DEFINITION 3 -Josquin-Polyphonic Motet15th CenturyRenaissance* TERM 4
DEFINITION 4 -Josquin-homophonic choral pieceRenaissance TERM 5
DEFINITION 5 -Music to summon the God Neptune (God of the Sea)- Composer unknownAncient Rome- God of the Seaantiquity*- recreated by modern musicologists to figure out what this kind of music would sound like
-Ancient Greek Song/epigram-Composer unknown1st Century C.E.words inscribed on gravestone found in Constantinople -now in a museum in Copenhagen. antiquity TERM 7
DEFINITION 7 -Euripides-Greek Theater music5th century c. B.C.From the tragedy of Orestesantiquity* TERM 8
DEFINITION 8 -Composer unknown-Dinner music*Ancient Rome antiquity- recreated by modern musicologists to figure out what this kind of music would sound like TERM 9
DEFINITION 9 -Anonymous-Liturgical Drama(Musical & texture trope on Puer natus est)*Late 10th Century; boys= midwives, men=shepherds; Christmas "A Child is Born unto us" TERM 10
DEFINITION 10 -Anonymous-Liturgical Drama CHRISTMAS (Another kind of troupe on Puer natus est)*F# minor
-Anonymous-Florid organum (upper part fluid, bottom part steady/sustained) from the Abbey of San Martial in the Aquitaine (Southwestern France, no longer just note- against- note)1100St. Martial polyphony, COUNTERPOINTparts vary rhythmically TERM 17
DEFINITION 17 -Leonin(us), 2v-Notre Dame style organum duplum*2nd half of the 12th centuryE flat feel, first polyphony at Notre Damebottom part- tenor, sustained TERM 18
DEFINITION 18 -Perotin(us), 4v-Notre Dame style organum quadruplum1198, D major feelthis and the previous one both: plainchant for choral portions, polyphony for soloist TERM 19
DEFINITION 19 -Anonymous-Gradual Chant from the Ordinary of the Mass, psalms TERM 20
DEFINITION 20 -Anonymous-Conductus - rhymed, metrical, strophic Latin poems on sacred/ serious topics (metered and largely homophonic texture)Late 12th/ Early 13th centuryE major feel, Poem for praise of Virgin Mary
-Bernart da Ventadorn-Troubador song (Canso- strophic song about love)Secular, F# minor feel; written in Milan and Paris manuscript1170-80 "Ventadorn the trabador* TERM 22
DEFINITION 22 -Guillaume Du Fay-Ballade*15th Century polyphonic chanson; non-imitative polyphonyCancus Firmus- mass; 1430's TERM 23
DEFINITION 23 -Adam de la Halle*13th century polytextual motet (polytextual; nonimitative polyphony) TERM 24
DEFINITION 24 -Phillippe de Vitry-14th Century Ars Nova isorhythmic motet (polytextual; non-imitative polyphony; double leading tone cadences) TERM 25
DEFINITION 25 -John Dunstable-15th century English cantilena motet (Single text; homophonic texture)
-Guillaume de Machaut-Ars Nova polyphonic Massnon- isorhythmic & largely homophonicdouble-leading tone cadences*canctus firmus is monophonic TERM 32
DEFINITION 32 -Guillaume Dufay-15th century Tenor MassCanctus Firmus is monophonic & confined to tenor voiceisorhythmic/nonimitative polyphony TERM 33
DEFINITION 33 -Josquin Dezprez-15th Century Paraphrase MassCanctus firmus is monophonic/ is placed in all voicesimitative polyphony*E Flat Major feel TERM 34
DEFINITION 34 -Giovanni Pierluigi da Palestrina-"Free" mass *homophonic texture & imitative polyphony; NO CANCTUS FIRMUS TERM 35
DEFINITION 35 -Giovanni Pierluigi da Palestrina-"Free" mass *homophonic texture & imitative polyphony; NO CANCTUS FIRMUS
-Tomas Luis de Victoria-Imitation mass (aka parody mass)*Imitative polyphony; "canctus firmus" is polyphonic-F- B flat minor feel