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Music Theory: Understanding Phrases, Periods, and Cadences, Study notes of Music

An in-depth exploration of musical phrases, period forms, and cadences in music theory. It covers various types of phrases and periods, including parallel, contrasting, sequential, modulating, and three or four-phrase periods. The document also explains the concept of elision and the role of cadences in music.

Typology: Study notes

2021/2022

Uploaded on 03/31/2022

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IAC PAC cad. extension
HC PAC
HC PAC
Theory Dr. Crist
Phrases and Period Forms
Phrase - a relatively independent musical thought terminated by a cadence. Phrases are labeled using
lower-case letters (a, b, c, etc.). The overlapping of phrases is referred to as "elision."
Period Forms - A period is the combination of 2-4 phrases and consequently involves 2-4 cadences. The
final cadence in a period is normally the strongest. In a two phrase period, there is typically an
antecedent-consequent relationship between the phrases. That relationship is established by means of a
stronger cadence at the end of the second phrase. This stronger cadence, usually a PAC, is referred to as a
"complete" cadence. A weaker cadence, such as an IAC, DC, or HC, is referred to as an "incomplete"
cadence. Two frequent possibilites exist:
1) a b 2) a b
HC IAC or PAC IAC PAC
Period Types:
1) Parallel - Both phrases begins with similar or identical material.
2) Contrasting -The Phrase begin with different, unrelated material.
3) Sequential - The material at the beginning of the two phrases is sequentially related.
pf3
pf4

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IAC PAC (^) cad. extension

HC PAC

HC PAC

Theory Dr. Crist

Phrases and Period Forms

Phrase - a relatively independent musical thought terminated by a cadence. Phrases are labeled using lower-case letters (a, b, c, etc.). The overlapping of phrases is referred to as "elision."

Period Forms - A period is the combination of 2-4 phrases and consequently involves 2-4 cadences. The final cadence in a period is normally the strongest. In a two phrase period, there is typically an antecedent-consequent relationship between the phrases. That relationship is established by means of a stronger cadence at the end of the second phrase. This stronger cadence, usually a PAC, is referred to as a "complete" cadence. A weaker cadence, such as an IAC, DC, or HC, is referred to as an "incomplete" cadence. Two frequent possibilites exist:

  1. a b 2) a b HC IAC or PAC IAC PAC

Period Types:

  1. Parallel - Both phrases begins with similar or identical material.

  2. Contrasting -The Phrase begin with different, unrelated material.

  3. Sequential - The material at the beginning of the two phrases is sequentially related.

HC

HC in C

IAC PAC

PAC

  1. Modulating -The consequent phrase begins or accomplishes a modulation.

  2. Three Phrase - Involves three different phrases. The possibilities are antecedent-consequent-consequent (the most common), and antecedent-antecedent-consequent (rare). The strength of the cadences will be the determining factor.

HC

PAC

HC PAC

Phrase Group - Several related phrases that do not form a period or a double period.

The Double Period - Consists typically of four phrases. The first two phrases and the last two phrases are paired. The cadence of the second pair is stronger than the cadence of the first pair. There are two types of double periods:

(1) Parallel - The material that begins each half is similar. (2) Contrasting - The material that begins each half isdifferent.