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the Visual Art standards. Presenting, responding, creating, and connecting are the strands in which all aspects of visual art can be organized and defined ...
Typology: Exercises
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Rationale: Art making is a complex cognitive process. It can involve developing an idea, visually describing a real world experience, expressing an emotional state, or illustrating a intuitive feeling. Creating visual art will help students learn to express themselves more confidently at a deeper level of aesthetic reflection and greater sense of craftsmanship. This process begins by discussing some Essential Questions:
Rationale: Learning to appreciate visual art can help each student establish a point of view for deeper analysis of art. Works of art can depict a wide variety of ideas, subjects and historical events within a wide range of human experiences. Art Appreciation will help students make informed decisions about the concept of “quality in art.” Asking questions for purposes of discussion also represents an important step in learning to appreciate visual art. Art appreciation may involve asking the following Essential Questions:
Language of Visual Art: “Presenting” The student will identify and communicate using a variety of visual art terms.
texture, value, and space.
contrast, movement, center of interest (emphasis), and repetition.
Visual Art History and Culture: “Responding” The student will recognize the development of visual art from a historical and cultural perspective.
disciplines.
cultures.
about art.
Visual Art Expression: “Creating” The students will observe, select, and utilize a variety of ideas and subject matter in creating original works of art.
creating visual art, including drawing, painting, sculpture, collage, and mixed media.
elements of art and principles of design.
to create visual art. STANDARD 4: Visual Art Appreciation: “Connecting” The student will appreciate and utilize visual art to make interdisciplinary connections and informed aesthetic decisions.
art exhibition in a museum or art gallery.
of others.
artworks.
from other disciplines, such as mathematics, science, English Language Arts, social studies, and media arts.
Language of Visual Art: “Presenting” The student will identify and communicate using a variety of visual art terms.
line, color, form, shape, texture, value, and space.
including: rhythm, balance, contrast, movement, center of interest (emphasis), and repetition.
and principals of design to creatively express original ideas. STANDARD 2: Visual Art History and Culture: “Responding” The student will recognize the development of visual art from a historical and cultural perspective.
its origin.
other art disciplines.
times and places, including American, Native American, African American, Asian, European, and Hispanic art produced.
about art.
traditions, and history of Oklahoma.
Visual Art Expression: “Creating” The student will observe, select, and utilize a variety of ideas and subject matter in creating original works of art.
creating visual art including drawing, painting, weaving, sculpture, ceramics, collage, and mixed media.
using the elements of art and principles of design.
create visual art. STANDARD 4: Visual Art Appreciation: “Connecting” The student will appreciate and utilize visual art to make interdisciplinary connections and informed aesthetic decisions.
art exhibition in a museum or art gallery.
of others.
artworks.
disciplines, such as mathematics, science, English Language Arts, social studies, and media arts.
Language of Visual Art: “Presenting” The student will identify and communicate using a variety of visual art terms.
media, techniques, and sources of ideas.
form, shape, texture, value (light and dark), and space in works of art.
rhythm, balance, contrast, movement, variety, center of interest (emphasis), and repetition in works of art.
visual and expressive features seen in the environment (e.g., colors, textures, shape, form, etc.). STANDARD 2: Visual Art History and Culture: “Responding” The student will recognize the development of visual art from a historical and cultural perspective.
by artist, style and historical and cultural context.
history and culture.
painting, sculpture, drawing, computer graphics, printmaking, architecture, fiber arts, and media arts.
arts and the popular media of advertising, television, and film.
in, the culture, traditions, and history of the United States.
Visual Art Expression: “Creating” The student will observe, select, and utilize a variety of ideas and subject matter in creating original works of art.
(media), techniques (skills), and sources for ideas.
original works of art.
experiences in creating original works of art.
to create original visual art. STANDARD 4: Visual Art Appreciation: “Connecting” The student will appreciate and utilize visual art to make interdisciplinary connections and informed aesthetic decisions.
art exhibition in a museum or art gallery.
of others.
disciplines, such as mathematics, science, English Language Arts, social studies, and media arts.
Language of Visual Art: “Presenting” The student will identify and communicate using a variety of visual art terms.
expressive quality, composition, and style.
including: rhythm, balance (symmetrical, asymmetrical, radial) contrast, movement, variety, center of interest (emphasis), and repetition in his/her own art work and the artworks of others.
form, shape, texture, value (light and dark), and space in works of art.
and organic), colors (primary, secondary, complementary, intermediates, neutrals, tints, tones, shades, and values), lines (characteristics, quality), textures (tactile and visual), and space (background, middleground, foreground, placement, perspective, overlapping, negative space, positive space, size, color) in his/her own artwork, and the artworks of others.
of art and principles of design in creating art. STANDARD 2: Visual Art History and Culture: “Responding” The student will recognize the development of visual art from a historical and cultural perspective.
which have influenced the visual arts, including American, Native American, African American, Asian, Australian, European, and Hispanic traditions.
style and subject matter
including advertising, television, and film, and understand the role of the visual arts in creating digital images and commercial designs.
and other art forms, such as music, dance, drama and media arts.
cultures throughout history.
Visual Art Expression: “Creating” The student will observe, select, and utilize a variety of ideas and subject matter in creating original works of art.
(media), techniques (skills), and sources for ideas.
works of art.
experiences in creating original works of art.
media, materials, and equipment.
while creating in the following disciplines of visual art: Painting media: tempera, watercolor, oil, and acrylic. processes: wet-on-wet, wet-on-dry, wash, resist, and sponge. Sculpture or Architecture media: paper, papier-mâché, clay, plaster, cardboard, wood, found objects, beads, sand, and wire. processes: carving, constructing, and assembling. Drawing media: pencils, colored pencils, markers, chalks, crayons, and oil-pastels. processes: sketching, contour line, hatching, crosshatching, and stippling. Printmaking media: printing ink, styrofoam, stencil, found object. processes: relief, silkscreen, and monoprint. Fiber Arts media: cloth, yarn, ribbon, found objects, paper, and rope. processes: weaving, stitchery, braiding, and basketry. Media Arts media: broadcasting, film, journalism, performing arts, and telecommunications. processes: Audio-video communication technology, printing technology. STANDARD 4: Visual Art Appreciation: “Connecting” The student will appreciate and utilize visual art to make interdisciplinary connections and informed aesthetic decisions.
art exhibition in a museum or art gallery.
of others.
artworks.
disciplines, such as mathematics, science, English Language Arts, social studies, and media arts.
Language of Visual Art: “Presenting” The student will identify and communicate using a variety of visual art terms.
expressive quality, composition, and style.
including: rhythm, balance (symmetrical, asymmetrical, radial) contrast, movement, variety, center of interest (emphasis), and repetition in his/her own art work and the art works of others.
form, shape, texture, value (light and dark), and space in works of art.
and organic), colors (primary, secondary, complementary, intermediates, neutrals, tints, tones, shades, and values), lines (characteristics, quality), textures (tactile and visual), and space (background, middleground, foreground, placement, perspective, overlapping, negative space, positive space, size, color) in his/her own artwork and the artworks of others.
of art and principles of design in creating art.
Visual Art History and Culture: “Responding” The student will recognize the development of visual art from a historical and cultural perspective.
which have influenced the visual arts, including American, Native American, African American, Asian, Australian, European, and Hispanic traditions.
artist, culture, and style from an historical context.
(including advertising, television, and film) and understand the role of art in creating digital images and commercial designs.
of the art skills needed to be successful.
cultures throughout history.
Visual Art Expression: “Creating” The student will observe, select, and utilize a variety of ideas and subject matter in creating original works of art.
(media), techniques (skills), and sources for ideas.
works of art.
media, materials, and equipment.
experiences in making original works of art.
techniques and processes in the art disciplines of (e.g., ceramics, drawing, fiber arts, painting, printmaking, media arts, and sculpture). STANDARD 4: Visual Art Appreciation: “Connecting” The student will appreciate and utilize visual art to make interdisciplinary connections and informed aesthetic decisions.
art exhibition in a museum or art gallery.
of others.
artworks.
disciplines, such as mathematics, science, English Language Arts, social studies, and media arts.
formative evaluations of the work.
Language of Visual Art: “Presenting” The student will identify and communicate using a variety of visual art terms.
expressive quality, composition, and style.
including: rhythm, balance (symmetrical, asymmetrical, radial) contrast, movement, variety, center of interest (emphasis), and repetition in personal artwork and the artwork of others.
texture, value (light and dark), and space in works of art.
colors (primary, secondary, complementary, intermediates, neutrals, tints, tones, shades, and values), lines (characteristics, quality), textures (tactile and visual), and space (background, middleground, foreground, placement, one-, two-, and three- point perspective, overlap, negative space, positive space, size, color) in personal artwork and the artwork of others.
used in the presentation of visual arts.
and solve design problems in visual art and other creative disciplines. STANDARD 2: Visual Art History and Culture: “Responding” The student will recognize the development of visual art from a historical and cultural perspective.
Research works of art within their cultural and historical context. ADVANCED: Analyze common characteristics of works of art and artifacts across time and among different cultural groups.
Describe the basic ideas underlying several major art movements or historical periods including: Ancient (Egyptian, Greek and Roman), Renaissance, Impressionism/Post- Impressionism and 20th Century. ADVANCED: Analyze issues related to chronology and discuss or debate contemporary issues in relation to historical perspectives.
Compare cultural and ethnic art forms throughout the world that have influenced visual art. ADVANCED: Classify works of art based on time-periods, movements or specified style, and understand the role of visual art in documenting history.
Describe the relationship between visual art and other academic disciplines. ADVANCED: Analyze the creative and analytical principles, themes, and techniques relating to visual art and contrast them with other academic disciplines.
Identify major regional, national, and international collections of art. ADVANCED: Research exemplary art exhibitions at local, regional, national, or international museums or art galleries.
Identify the use of visual art in business and industry, advertising, television and film. ADVANCED: Document and create a visual art career plan based on personal portfolio, and develop an in depth investigation of future educational possibilities.
Understand the role of visual arts in United States history ADVANCED: Interpret the role of visual arts in United States history from a cultural, and/or historical perspective. STANDARD 3: Visual Art Expression: “Creating” The student will observe, select, and utilize a variety of ideas and subject matter in creating original works of art.
from observation, memory, and imagination using a variety of art media
artwork.
media, materials, and equipment while creating visual art.
experiences in making original works of visual art.
techniques and processes in the visual art disciplines of (e.g., ceramics, drawing, fiber arts, painting, printmaking, media arts, and sculpture).
in other content disciplines of learning.
technology on the visual arts. STANDARD 4: Visual Art Appreciation: “Connecting” The student will appreciate and utilize visual art to make interdisciplinary connections and informed aesthetic decisions.
Demonstrate appropriate behavior while attending a visual art exhibition in a museum or art gallery. ADVANCED: Understand the collaborative relationships between cultural art organizations, and the citizens they serve.
Demonstrate respect for personal artwork and the artwork of others. ADVANCED: Create a personal artistic style in the development of a portfolio of personal artwork.
Demonstrate thoughtfulness and care in completion of artworks. ADVANCED: Develop an artist statement of personal artwork.
Make learning connections between visual art and other disciplines, such as mathematics, science, English Language Arts, social studies and media arts. ADVANCED: Understand how knowledge gained in other disciplines of learning can lead to the creative resolution of design challenges in the visual arts.
Critique personal artwork based on thoughtful inquiry. ADVANCED: Construct persuasive and reasonable arguments, individually and/or in collaboration with other students, to defend or critique works of art.
acrylic paint - a nontoxic, water-based pigment available in tubes or jars and may be washed out of brushes. aesthetics - that branch of philosophy which focuses on the nature and value of art, the nature of beauty, and provides a criteria by which works of art are analyzed and evaluated. architecture - the art form of designing and planning the building of structures such as homes, churches, bridges, shopping centers, office buildings, schools, etc. Architecture is common to all cultures throughout history. art criticism - the field of inquiry that describes, interprets and evaluates works of visual art, often by making comparative judgments. art history - the field of inquiry into the origins of visual art in worldwide and/or specific cultures, including the social, religious, cultural, philosophical, aesthetic and technological factors which influence changes in their production over time. background - part of the picture plane that seems furthest from the viewer usually in the upper portion of the image. ceramics - making visual art from clay, a naturally occurring earth substance. The pottery is produced using this process and is then fired in a kiln to make it stronger. collage - twentieth-century technique of making art in which various materials, such as paper, photographs, fabric, string, etc., are pasted on a flat surface. commercial art - graphic art produced for purposes such as advertising and packaging. composition - arrangement of objects, shapes, colors in a work of art. content - message or theme the artist is trying to communicate in a particular work of art. contour - outline or outside edge of shapes. Contour lines will define something in a drawing, painting, or other work of art. create - the process of producing works of visual art using various materials, media and techniques, usually of an original concept or idea, and involving higher-order thinking skills. design - organization, plan or arrangement of a work of art. drawing - the art of representing objects, ideas, etc. on a surface using pencil, crayon, marker, pen, or other marking material to make lines or values usually on a flat surface. easel - a freestanding upright support for a painter’s canvas. elements of art (design) - the observable components of which all works of visual art are comprised, includes: line, shape, color, texture, value (light and dark), form, and space. engraving - an intaglio printmaking method in which a sharp tool called a burin is used to scratch lines into a metal plate. This technique is used to create a print. expression - a process of conveying ideas, feelings and meanings through selective use of the communicative possibilities of visual art. folk art - paintings and decorative objects made in a naïve style. foreground - part of the picture plane that seems closest to the viewer, usually in the lower portion of the image. foreshortening - a way of drawing or painting an object or person (using linear perspective) so that it seems to go back in space. Prominently used during the Renaissance. landscape - a painting, drawing, photograph, or other work of art, which shows natural or outdoor scenes, such as rivers, lakes, mountains, or trees. loom - machine or frame for weaving. materials - the resources used in (1) the creation of works of visual art, such as canvas, clay, fabrics, fibers, film, paint, paper, wood, etc., and (2) the study of works of art, such as art reproductions, books, videocassettes, filmstrips, slides, etc. medium - material used by an artist to produce a work of art. May also refer to the liquid mixed with pigment to make paint. media - visual artworks are grouped according to the materials used to produce them, such as film, oils, pen and ink, pencils and watercolors, etc. middle ground - area of a picture between foreground and background. mixed media - creating artwork that uses more than one medium or technique in combination. modern art - the latest styles of art, often associated with revolutionary ideas and styles in art, architecture, and literature. The art that developed in the early 20th century as a reaction to traditional forms. mosaic - floor or wall decoration made of small pieces of stone, ceramic, shell, or glass set into plaster or cement.
original - artwork not copied or imitated from the work of someone else. paint - pigments (color) mixed with oil or water. Pigment particles in paint stick to the surface of the support material on which the paint is applied. paint brush - used to apply paint to the surface of different support materials. paper maché - modeling material made of mashed newspaper and liquid paste. perception - visual and sensory awareness, discrimination and integration of impressions, conditions and relationships with regard to objects, images and feelings. perspective - system for giving the illusion of three-dimensional space on a two-dimensional surface. photographer - person using the technique of photography to capture optical images on light sensitive surfaces. picture plane - surface of a painting or drawing. pottery - ceramic container made from clay, and then fired in a kiln. portrait - image of a person’s face. primary colors - the basic colors of red, yellow, and blue from which it is possible to mix all other colors on the color wheel. principles of design - refer to the different ways the elements of design may be used in works of art in the Western European tradition, such as: balance, rhythm, center of interest, emphasis, contrast, repetition, movement, variety, and unity. Although, works from cultures that are not part of the Western European tradition may give evidence of such principles, they were not created according to these principles and should not be judged by them. print, printmaking - the art process used to produce an impression from one surface to another and may be repeated one or more times to produce identical images. Several basic printing processes used in the classroom include stencil, block, and monoprint. process - a complex operation involving a number of methods or techniques, such as the additive/subtractive process in sculpture, or the etching/intaglio processes in printmaking. rubbing - technique of transferring textural qualities of a surface to paper by placing the paper over the surface and repeatedly rubbing over the top of the paper with crayon or pencil until the image is clearly visible on the paper. sculpture - a three-dimensional work of art, which may be carved, modeled, constructed, or cast. secondary colors - the three colors obtained by mixing equal parts of two primary colors: red + yellow = orange; red + blue = violet; blue + yellow = green. shade - dark value of a color made by adding black to it. Opposite of a tint. shadow - shaded areas in a drawing painting photograph, or other work of art. Shadows show the surface of the subject that reflects the least light, and are used to create the illusion of form. Opposite of highlight. still life - a painting, drawing, photograph, or other work of art that shows an arrangement of inanimate objects. style - an artist’s or group of artists’ characteristic way of making art or expression, often typical of a cultural group or time period. subject matter - the categories for identifying the type of content in visual works of art, such as abstractions, animals, landscapes, genre (people in everyday activities), human figures, cityscapes, seascapes, etc. symbol - visual image that stands for or represents something else. techniques - the processes by which art materials and media are used to create/produce works of visual art, such as carving, drawing, painting, printing, etc. technologies - complex equipment used in the study and creation of art, such as lathes, presses, computers, lasers and video equipment. three-dimensional - having three qualities including depth, height, and breadth, as in a sculpture, for example. tint - light value of a color made by mixing the color with white. tools - instruments and equipment used by students to create and learn about art, such as brushes, scissors, brayers, easels, kilns, carving tools and cameras. two-dimensional - flat. Having only two qualities of height and breadth, as in a drawing or painting, for example. vanishing point - in perspective, the point at which receding lines seem to converge and vanish. visual art - a broad category that includes the traditional fine art, such as drawing, painting, printmaking and sculpture; communication and design art such as film, television, graphics and product design; architecture and environmental art such as urban, interior and landscape design; folk art; and works of art such as ceramics, fibers, jewelry, works in wood, paper and other materials.