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Comentario de texto para la asignatura APPROACHES TO TEXT del grado ENGLISH (UOL)
Tipo: Ejercicios
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In the article In the Bedroom: The Formation of Single Women's Performative Space in Tsitsi Dangarembga's Nervous Conditions , published in 2006, E. Kim Stone analyses how space affects the plot of the novel. She suggests that this is a crucial feature for the whole story of Tambu, the heroine of Dangarembga. She will focus on the most intimate space of the protagonist and, in addition, in the national space and in the social context in which she lives. This commentary attempts to address the structure of the essay and, moreover, to expose its strengths and weakness when talking about the different ways in which Tambu and her cousin, Nyasha, reject the things previously established. Being the society where Tambu lives a patriarchal and heteronormative one, she finds a place where she can develop a subjective feminine intelligence. This place is the room which she shares with his cousin Nyasha, and that the author of this article relates to freedom and independence. E. Kim Stone, in addition to highlighting the significance of space in the bildungsroman and how it works in the resolution of the nervous conditions that Nyasha and Tambu have, she discusses the role of women in Zimbabwe. They were treated as reproductive objects who could have no other purpose in life than to be a good mother and wife. That is why the author also establishes resistance and rejection as new methods of development and intellectual survival: Tambu, who is free of Western ideals of freedom and individuality, only wants to become an intellectual subject, so she has to reject her uncle Babakumuru's ideals first. On the other hand, the author highlights the way in which the protagonist of the story empowers the Zimbabwean woman since it is Tambu, a girl, who tells her story and the story of the women in her family, despite the differences that exist between them.
The paper is structured in three sections plus an introduction and a conclusion. The author shows the main idea of her article, the significance of space, at the beginning of it: ‘ Material space plays a crucial role in Tambu’s development ’^1. The end of its introduction connects with the first section of the essay: National Space and Female Subject Formation. Stone achieves that by establishing the counter-narrative nature of the novel at the end of the initiation and by writing about the situation of Zimbabwe in the very start of the first part. This part contributes to the article by giving important historical and sociological backgrounds, which is something crucial to the understanding of the article and the novel itself. In the second section, The Spatial Politics of Resistance, Stone uses some critics arguments like, for instance, Charles Sugnet, in order to prove her own. She agrees with him in some points but differs in others. It is then, when she explains the reasons for her rejection of his thesis, when she lets the readers see which is her argument. The end of this second part is related to the beginning of the third one, as it happened before. In this ending, Stone states that Nyasha and Tambu change the bedroom real meaning by the things they do inside it, what could be seen as an anticipation of what is going to be discussed in the third section. But Stone anticipates what is going to be said in this part in another way as she mentions “In the Bedroom” in the title of the article. Finally, in the conclusion of the paper, the author uses the differences between the two relatives in order to give a new perspective of her thesis. The thesis presented by Stone affirms that ‘ her intellectual subjectivity can only emerge when she rejects Babamukuru’s heteronormative ideology ’^2. This happens because, according to M. Keith Booker, ‘he assumes the role of her father’ 3 and due to that, Tambu owes him respect and submission; but it is not only her uncle’s ideology what Tambu has to reject, but also her entire family’s ideals. An example of this is seen in the second chapter of the novel, when the protagonist’s mother says to the father that they should ‘ let her see for herself that some things cannot be done ’^4 , clarifying that she does not agree with the idea of Tambu selling maize and earning money to pay the fees of school. (^1) E. Kim Stone, "In The Bedroom: The Formation Of Single Women’S Performative Space In Tsitsi Dangarembga’s Nervous Conditions", 41.1 (2006), p. 112. (^2) E. Kim Stone, p. 112 (^3) M. Keith Booker, The African Novel In English: An Introduction (Portsmouth (NH): Heinemann, 1998), p
(^4) Tsitsi Dangarembga, Nervous Conditions (Banbury: Ayebia Clarke, 2004), p. 17.